32.0 x 15.1 x 8.0cm
By the Wanli period, the imperial palace in Beijing was not as prescriptive about designs as it had been in the past, and there was a decrease in imperial orders as the court was distracted by more pressing political matters. Potters had to find new markets, so designs changed and new styles emerged. The literati were keen customers and would have bought works such as this wall vase with a popular figurative subject of scholars in a garden and the tripod censer in antiquarian style (Acc.no 133.2000).
The Asian Collections, AGNSW, 2003, pg.121.
J. Hepburn Myrtle, Chinese porcelain of the Ming and Ch'ing dynasties 1977, Sydney, 1977, 23. cat.no. 30
Jackie Menzies and Edmund Capon, Asian Collection Handbook, Art Gallery of New South Wales 1990, 'Chinese Porcelain', pg. 30-41, Domain, 1990, 33 (colour illus.).
Jackie Menzies (Editor), The Asian Collections Art Gallery of New South Wales 2003, 'The Marvel of Porcelain', Domain, 2003, 121 (colour illus.).
Chinese porcelain of the Ming and Ch'ing dynasties, Art Gallery of New South Wales, Sydney, 18 Feb 1977–26 Jun 1977