Born in Birmingham, England, Albert Henry Fullwood came to Australia in 1881. He worked for 'The picturesque atlas of Australasia', travelled extensively around Australia and befriended other artists who worked for the Atlas, including Frank Mahony (with whom he shared a studio), Julian Ashton and Charles Conder. In the early 1890s Fullwood made etchings with Livingston Hopkins and painted at the artists' camp at Sirius Cove on Sydney Harbour, with Tom Roberts and Arthur Streeton among others. Fullwood left Australia for America and England in 1900, working as a black-and-white artist on various magazines in London. Like Roberts, Streeton and George Coates, he was an orderly at Wandsworth Hospital during World War I and an Australian war artist in France in 1918. He returned to Australia in 1920.
excerpt from Hendrik Kolenberg, Anne Ryan and Patricia James, '19th century Australian watercolours, drawings & pastels in the Gallery's collection', Art Gallery of New South Wales, Sydney, 2005
The Australian Wine Industry - gathering grapes in an Australian vineyard
black, white and grey gouache on brown paper
33.5 x 50.2 cm sheet
Signature & date
Signed and dated l.r., pencil ".../ A.Hy.FullwooD 1894./ ...".
Not on display
Shown in 2 exhibitions
Everyday Life, prints, drawings and watercolours from the collections of Australian and European Art:
19th century Australian watercolours, drawings & pastels, Art Gallery of New South Wales, Sydney, 06 Apr 2005–24 Jul 2005
Referenced in 3 publications
Art Gallery of New South Wales, Art Gallery of New South Wales annual report 2005, Sydney, 2005, 63.
Hendrik Kolenberg, Anne Ryan and Patricia James, 19th century Australian watercolours, drawing and pastels from the Gallery's collection, Sydney, 2005, 137 (colour illus.).
Hendrik Kolenberg, Everyday life: prints drawings and watercolours from the collections of Australian and European art, Sydney, 1994. cat.no. 31