Tokyo-based artist Yoshihiro Suda makes exquisite, astonishingly life-like wooden sculptures of flowers and weeds. Usually placed in large empty spaces, these delicate, diminutive objects have an astonishingly powerful presence that dominates their surroundings. The void around the object is an important element of Suda's work, and by placing his sculptures into curious nooks and crannies that are easily overlooked, he sets up surprising encounters that heighten awareness of the space and encourage the viewer to look more closely at things that they might not normally notice. By evoking organic life where we least expect it, Suda brings the emptiness of space alive. 'Rose', which consists of the flower and a petal, also reflects the important Japanese concept of 'ma' the 'space that exists between things or events'.
Asian Department, AGNSW, 2006.
Place where the work was made
wood painted with mineral pigments
30.0 x 30.0 x 20.0 cm
Purchased with funds provided by Geoff and Vicki Ainsworth 2006
© Yoshihiro Suda, courtesy Gallery Koyanagi, Japan
Where the work was made
Shown in 2 exhibitions
Referenced in 1 publication
Justin Paton, Look, Conversations. A new way to engage with the Gallery's Asian art, pg 22-23, Sydney, Oct 2014, 22-23 (colour illus.).