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Collection

Nyirlpirr Spider Snell

(Australia circa 1925 – )

Language group
Wangkujunga, Western Desert region
Title
Kurtal
Place of origin
Western AustraliaAustralia
Year
1996
Media category
Painting
Materials used
synthetic polymer paint on paper
Dimensions

105.0 x 74.5 cm image/sheet

Signature & date
Signed and dated upper c. verso, pencil "NYILPINY/ SPIDER SNELL/ .../ 96/ ...".
Credit
Purchased 1997
Accession number
284.1997
Copyright
© Nyirlpirr Spider Snell, licensed by Viscopy
Location
Not on display
Further information

A Wangkajunga ceremonial leader, dancer and visual artist, Nyirlpirr Spider Snell is one of the few remaining elders born at Yurramaral, an important permanent waterhole on the south-eastern side of the Canning Stock Route in the Great Sandy Desert. As a young man, Spider developed skills as a stockman, handling horses and cattle on Christmas Creek Station. His true apprenticeship began before that, however, when three senior men taught him the key dance ceremonies that he still performs today. In 1998, Spider danced on the Ngurrara canvas in Canberra. This giant painting resulted from the collaboration of 50 artists and claimants over two weeks, and was made in support of the Ngurrara group's Native Title claim.

As a key custodian, Spider communicates with his ancestors through Kurtal, the Snake Spirit, who lives in a sacred waterhole. In the old days, this jila (spring) provided the only reliable source of water in all seasons. Water in the desert means life, and Kurtal is a 'living water' as well as the moral protector of landuse rights for the people in the area.

Kurtal is present, living in the water. Kurtal's story cycle includes his journey as a man, travelling south-west and south-east through the region. Kurtal and other ancestors moved all through the desert country, coming to rest in a number of different key sites. Through ceremony and song, the Wangkajunga elders make rain by interacting with Kurtal.

The acrylic painting, 'Kurtal', 1996, is a self-portrait of Spider dancing the Kurtal ceremony. The figure wears the long black
rain cloud called kutukutu as a headdress, accompanied by other black clouds outlined in white and red. These wilarn
(horse-shoe shaped clouds) can appear in a clear blue sky to signal the approach of rain. The kutukutu is the first rain that
follows the wilarn, and can be a fierce rainstorm. Works by Spider's brother, the late Jarinyanu David Downs, also depict
this subject matter.

Spider makes kutukutu headdresses for performances from human hair, grass string and wool. Over the last few years, he has been passing on his knowledge of these important dances to his grandchildren.

George Alexander in 'Tradition today: Indigenous art in Australia', Art Gallery of New South Wales, Sydney, 2004

© Art Gallery of New South Wales

Bibliography (3)

George Alexander, Tradition today: Indigenous art in Australia, 'Nyirlpirr Spider Snell', pg. 130, Sydney, 2004, 130, 131 (colour illus.).

Jonathan Cooper (Editor), Exhibitions events - Art Gallery of New South Wales, Sydney, Aug 1999-Oct 1999, 10 (colour illus.).

Karen Dayman, One sun one moon: Aboriginal art in Australia, ‘Fitzroy Crossing: Collaborative process, cultural projects’, pg. 249-253, Sydney, 2007, 251 (colour illus.).

Exhibition history (3)

Big Balgos, Hogarth Galleries, Paddington, 29 May 1997–21 Jun 1997

Another Country, Art Gallery of New South Wales, Sydney, 04 Jul 1999–02 Apr 2000

One sun, one moon, Art Gallery of New South Wales, Sydney, 03 Jul 2007–02 Dec 2007