(Australia circa 1946– )
each panel 150.0 x 180.0cm stretcher; 150.0 x 360.0cm stretcher overall
Freddie Timms was born at Ngarrmaliny (after which he takes his name). He worked as a stockman on various East Kimberley cattle stations for most of his life and he helped paint the boards and danced for the Gurirr Gurirr ceremony devised by Rover Thomas. Subsequently when canvas and paints were supplied to some of the more senior artists, including his father-in-law George Mung Mung, Timms asked for painting materials and he has continued to paint ever since. His style conforms to the East Kimberley archetype originated by Rover Thomas but is recognizably his own with discrete areas of colour outlined in double rows of dots. Timms usually takes an aerial perspective on country and his paintings represent intimate and personal maps of the East Kimberley landscape.
Jack Yard is a place on Bow River Station where Freddie Timms lived as a boy. The pastoral lease is now owned by family members. In the painting 'Jack Yard' 2004, the road is shown entering the country of the painting near a spring (near the pink section at the bottom centre), coming from the station and present day community settlement at Bow River. It passes through the picture and goes to Greenvale, to Foal Creek, where the artist was born, back to Violet Valley and back around to the highway.
The Wilson River with the large permanent waterhole at Jack Yard, runs across the painting from left to right. The two black shapes on either side of the main living waterhole are the hills around it. Moat Creek runs down from the top of the left-hand panel to join the Wilson River. Moat Creek Hill is in the top left-hand corner. Another creek running from Cargo Spring begins at the bottom of the left-hand panel, joining the Wilson River in the lower part of the right-hand panel. Another tributary of the Wilson River, Thirsty Creek, is shown running down from the top of the right-hand panel. It has another 'living water' or permanent waterhole with lots of bream. Another waterhole on the Wilson near Gorge Yard is shown on the far right of the picture. The yellow area shows part of a hill near Gorge Yard that runs down to Crocodile Hole. The pink at the top shows a hill that goes back towards Clara Spring.
The artist knows the country well from time spent working there as a stockman.
© Australian Art Department, Art Gallery of New South Wales, 2005
Edmund Capon (England; Australia, b.1940) (Author), Art Gallery of New South Wales: highlights from the collection, Sydney, 2008, 48 (colour illus.), 49 (colour illus., detail).
Australian art review Nov 2007-Feb 2008, Nov 2007-Feb 2008, 23 (colour illus.).
'Where to now, Contempo?' by Jane Somerville, pg.28-31, Look Jul 2007, Jul 2007, 30.
'One sun one moon' by Hetti Perkins, pg. 22-27., Look Jun 2007, Jun 2007, front cover (colour illus., detail), 9 (colour illus.).
Hetti Perkins (Australia) (Author), Margie West (Australia) (Author), Theresa Willsteed (Editor), One sun one moon: Aboriginal art in Australia, Sydney, 2007, 244-245 (colour illus.).
'Doing it with Contempo' by Jill Sykes, pg. 23., Look Oct 2005, Oct 2005, 23 (colour illus.).
Art Gallery of New South Wales Annual Report 2005 2005, 2005, 18, 19 (colour illus.), 64.
Beyond the frontier - Jirrawun Arts, Sherman Galleries, 07 Apr 2005–30 Apr 2005.
Living Black (2007-08), Art Gallery of New South Wales, 20 Dec 2007–12 Nov 2008.
Country Culture Community (2008-09), Art Gallery of New South Wales, 12 Nov 2008–19 Apr 2009.