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Collection

An image of Portrait of Paul Taylor by Robert Rooney

Robert Rooney

(Australia 24 Sep 1937 – )

Title
Portrait of Paul Taylor
Year
1984
Media category
Photograph
Materials used
Cibachrome photograph
Dimensions

20.1 x 30.4 cm image/sheet

Signature & date
Not signed. Not dated.
Credit
Purchased 1996
Accession number
266.1996
Copyright
© Robert Rooney
Location
Not on display
Further information

Robert Rooney was born and educated in Melbourne, and he attended Swinburne College of Technology 1954-57. Rooney’s career has encompassed painting, collage, prints, music, photography, and commercial art and design. He has exhibited throughout Australia and been included in a number of significant exhibitions including the Biennales of Sydney 1986, 1990 and ‘Cubism and Australian art’, Heide Museum of Modern Art 2009.

Rooney’s 75 portraits of his colleagues and fellow artists were produced between 1978 and 1984. They followed on from his conceptual photo works of the 1970s. Whereas those earlier Instamatic works were presented in grid patterns of order and repetition and showed little concern for technical standards, Rooney wanted his portraits to be as perfect as he could manage. He formulated certain rules, such as using only available light and not cropping the images. Rooney often made portraits on the spur of the moment, however posing was also done in collaboration with the subject. Each portrait had elements pertaining to the subject’s character and work, though these often occurred through chance rather than design.

The four portraits in the Art Gallery of New South Wales collection reflect a particular period in Australian art, when the now established artists were beginning their careers. They depict members of the contemporary art scene of the late 1970s to mid 1980s associated with ‘Art + Text’, an Australian art magazine published from 1981-2000.

This photograph depicts Paul Taylor, the founder of ‘Art + Text’. Taylor edited the magazine from 1981 to 1984, when he moved to New York to work as an art critic. Taylor rejected established institutional values and was said to revel in his status as a provocateur. He was also flamboyant and this is reflected in the cowboy style shirt and neck tie he wears. This character can also be seen in his defiant, cross armed position before a large mirror, and the Gerry Gee ventriloquist doll, a figure from Australian children’s television of the 1950s and 60s, in the bottom left corner of the frame.

Exhibition history (1)

What's in a face? aspects of portrait photography, Art Gallery of New South Wales, Sydney, 24 Sep 2011–05 Feb 2012