Skip to content

Collection

All

Search

Asian art

View More:


Title

Mount Ashigara moon - Yoshimitsu, from the series One hundred aspects of the moon


Artist

Tsukioka YOSHITOSHI

Japan

1839 - 1892


About

Yoshitoshi’s career straddled two eras – the last years of the Edo period and the first few decades of modern Japan following the Meiji Restoration in 1867. Initially enthusiastic and opened to Western influxes, he became increasingly sceptical about the loss of numerous aspects of traditional Japanese art and culture due to rapid industrialisation and Westernisation. In a time when modern reproductive technologies such as photography and lithography were introduced to Japan and enjoyed high popularity, Yoshitoshi concentrated his efforts in introducing new themes and techniques to the stagnant art of ukiyo-e colour woodblock prints, taking it thus to a new height, before it definitely declined after his death. His highly imaginative, often flamboyant and even disturbing depictions of historical events, warriors, beautiful women and the supernatural has led him to be recognised as the last great master of traditional Japanese woodblock print.

Asian Art Department, AGNSW, August 2012.


Details


Alternative title

Ashigarayama no tsuki - Yoshimitsu


Place where the work was made

Japan


Date

1885-1892


Media category

Print


Materials used

colour woodblock; ôban


Dimensions

39.0 x 26.0 cm


Signature & date

Signed and dated.


Credit

Yasuko Myer Bequest Fund 2012


Location

Not on display


Accession number

258.2012.70


Artist information

Tsukioka YOSHITOSHI

Works in the collection

107


Place

Where the work was made
Japan

Referenced in 3 publications

Bibliography


Yuriko Iwakiri, Yoshitoshi Tsuki hyakushi (Yoshitoshi’s One hundred aspects of the moon), Tokyo, 2010. General reference; Another edition was reproduced

John Stevenson, Yoshitoshi's One hundred aspects of the moon, Seattle, 1992, (colour illus.). cat.no.70; Another edition was reproduced

Chris UHLENBECK, Yoshitoshi: masterpieces from the Ed Freis collection, Leiden, 2011, 135-136. General reference; Another edition was reproduced