02 Oct 1879 - 29 Jul 1966
Proctor's image of fashionable, independent women and their shared pleasure in the fragrance and beauty of flowers, epitomises the artist's championing of the feminine. Its modern approach through a simplified, close-up view, in bright, unmodulated colour also reflects the artist's enthusiasm for Japanese prints. Based on a coloured pencil drawing, originally created as a cover for 'The Home' magazine, the artist's cousin Hera Roberts is seen on the right.
woodcut, printed in black ink, hand-coloured on thin ivory laid tissue
22.1 x 20.8 cm blockmark (irreg.); 41.1 x 26.6 cm sheet (irreg.)
Signature & date
Signed l.r., pencil "Thea Proctor".
Signed within block to print u.r. corner, incised "TP [monogram]".
Shown in 6 exhibitions
Project 21 - Womens images of women (1977), Art Gallery of New South Wales, Sydney, 15 Oct 1977–13 Nov 1977
Project 39 - Women's Imprint (1982), Art Gallery of New South Wales, Sydney, 01 Oct 1982–31 Oct 1982
Review: works by women from the permanent collection of the Art Gallery of New South Wales, Art Gallery of New South Wales, Sydney, 08 Mar 1995–04 Jun 1995
Art Deco: from Sydney cinemas and pubs to skyscrapers, Museum of Sydney, Sydney, 12 Jun 1999–05 Sep 1999
Australian Collection Focus: Colour, Rhythm, Design - wood & lino cuts of the 20s & 30s, Art Gallery of New South Wales, Sydney, 12 Mar 2010–11 Jul 2010
Sydney Moderns, Art Gallery of New South Wales, Sydney, 06 Jul 2013–07 Oct 2013
Referenced in 22 publications
Jude Adams, Barbara Hall and Jennifer Barber, Project 21: Women's images of women, Sydney, 1977. cat.no. 36; Collection of the Art Gallery of New South Wales
Ann Elias, Sydney College of the Arts, Useless beauty: Flowers and Australian art, United Kingdom, 2015, 130, 241, plate 44 (colour illus.).
Roger Arthur Butler, Printed images by Australian artists 1885-1955, 'Exemplars: Margaret Preston and Thea Proctor', pg. 164-173, Canberra, 2007, 167 (colour illus.), 169. Collection of National Gallery of Australia
Roger Arthur Butler and Chris Deutscher, A survey of Australian relief prints 1900/1950, Armadale, 1978, 28 (illus.). cat.no. 41; Collection of impression not identified, possibly the Art Gallery of New South Wales.
Helen Campbell, Colour, rhythm, design: wood & lino cuts of the 20s & 30s, 'Introduction', pg. 2, Sydney, 2010, cover (colour illus.), 3 (colour illus.).
Helen Campbell, Look, 'Colour, rhythm and design: Wood and lino cuts from a time of great creative vitality', pg. 13-15, Sydney, Feb 2010, 13 (colour illus.), 14.
Edmund Capon and Jan Meek (Editors), Portrait of a Gallery, 'Prints & Drawings', pg. 115-122, Sydney, 1984, 120 (colour illus.).
Deutscher and Hackett, Melbourne (Compilator), Deutscher and Hackett fine art auction: Melbourne 28 November 2012, Catalogue entry for Lot 46 Thea Proctor 'The rose', pg. 99, Melbourne, 2012, 99 (colour illus.). NOTE: this is not the AGNSW impression.
Nicholas Draffin, Australian woodcuts and linocuts of the 1920s and 1930s, South Melbourne, 1976, 12, 39 (colour illus.). Collection of Ballarat Fine Art Gallery
Deborah Edwards, Daphne Wallace, Margo Neale, Victoria Lynn and Sandra Byron, Review: works by women from the permanent collection of the Art Gallery of New South Wales, Sydney, 1995, 3 (illus.), 25. Collection of the Art Gallery of New South Wales
Janda Gooding, Thea Proctor, 'Introduction', pg. 2-6, Perth, 1982, 2, 12 (colour illus.). cat.no. 6; NOTE: this is not the AGNSW impression.
Robert Holden, Cover Up: The art of magazine covers in Australia, 'Myth Australia: the new-look woman', pg. 100-117, Sydney, 1995, 91, 103, 105 (colour illus.), 106.
Jane Hylton, Modern Australian women: paintings & prints 1925-1945, Adelaide, 2000, 35 (colour illus.), 74, 125. Collection of Art Gallery of South Australia
Susan McCulloch, Alan McCulloch and Emily McCulloch Childs, The new McCulloch's encyclopedia of Australian art, Carlton, 2006, 798 (colour illus.).
Ewen McDonald, AGNSW Collections, 'From Colonialism to late Modernism', pg. 7-106, Sydney, 1994, 37 (colour illus.).
Peter McNeil, Sydney moderns: art for a new world, 'Thea Proctor: towards a stylish Australia', pg. 98-103, Sydney, 2013, 99 (colour illus.), 315.
Jan Minchin, The prints: Thea Proctor, 'Thea Proctor: a biography', pg. 6-13, Sydney, 1980, 19 (illus.), 20, 60, 61 (colour illus.). cat.no. 19; Illustration on page 19 is the Cover for July 1927 'The Home'; NOTE: this is not the AGNSW impression.
Pamela Gerrish Nunn, Women artists and the decorative arts 1880-1935: the gender of ornament, 'Owning femininity: Thea Proctor and the Australian Avant-garde', pg. 73-95, Aldershot, 2002, 78.
Andrew Sayers, The world of Thea Proctor, 'Thea Proctor: artist and tastemaker', pg. 4-15, Canberra, 2005, 11, 44, 50, 122 (colour illus.). NOTE: this is not the AGNSW impression.
Helen Topliss, Modernism and Feminism Australian Women Artists 1900-1940, 'Decoration and the art of the print', pg. 141-171, Sydney, 1996, 158, 159 (colour illus.), 161. illustration 94; Collection of National Gallery of Australia
Sydney Ure Smith and Leon Gellert (Editors), Art in Australia [series 3, no. 26], Sydney, Dec 1928, 29 (illus.). Advertisement
Anna Waldmann, Project 39 - Women's Imprint, Sydney, 1982. NOTE: this is not the AGNSW impression. Collection S.H. Ervin Gallery.