Petr Herel was born at Horice, Czechoslovakia. He studied at the School of Fine Arts, Prague 1957-61 and the Artist Book Studio under Karel Svolinský at the Prague University of Applied Arts 1964-69. In 1970 he was awarded a French Scholarship to study printmaking at the Atelier Nourrison in Paris, afterwards returning to Czechoslovakia. He spent a short time in Rome before moving to Melbourne in 1973. He lectured in drawing and printmaking at Caulfield Institute of Technology in 1975. In 1976 he visited the south of France with his family where he joined Fondation Maeght at St Paul de Vence and printed the plates of other artists. He lectured part time the following year at l'École Nationale des Beaux-Arts de Dijon, where he met typographer Thierry Bouchard who later became a collaborator on a number of projects with Herel. He returned to Australia in 1978 and was appointed to head the Graphic Investigation Workshop at the Canberra School of Art, which specializes in the making of artist's books. He returned to Paris for a year in 1985 to teach at l'Institut des Arts Visuels, Orléans and l'École Supérieure des Arts Décoratifs, Paris. In 1993 he and Jenny Zimmer established the Centre for the Development of Artists' books and limited editions at Monash University, Melbourne; he returned to the Australian National University, Canberra in 1993.
'Key to open not to lock' was a Print Council of Australia Patron Print for 1989, and was printed by the artist at the Canberra School of Art.
Hendrik Kolenberg and Anne Ryan, 'Australian prints from the Gallery's collection', AGNSW, 1998
etching, aquatint on copper, green ink on ivory Arches paper
23.9 x 18.0 cm platemark; 48.4 x 35.9 cm sheet
Signature & date
Signed and dated l.r., pencil "Petr Herel 89".
Not on display
© Petr Herel
Shown in 2 exhibitions
Thirty Years of Korean Contemporary Prints: a decade of contemporary Australian printmaking (1998), Seoul Metropolitan Museum of Art, Seoul, 11 Aug 1998–22 Aug 1998
Australian prints from the Gallery's collection (1998-1999), Art Gallery of New South Wales, Sydney, 06 Nov 1998–07 Feb 1999
Referenced in 2 publications
Hendrik Kolenberg and Anne Ryan, Australian prints from the Gallery's collection, Sydney, 1998, 132 (colour illus.). cat.no. 111
Seoul Metropolitan Museum of Art, Thirty Years of Korean Contemporary Prints: a decade of contemporary Australian printmaking, Seoul, 1998, 155 (illus.).