(Austria, Australia, Israel 13 Oct 1920 – )
56.0 x 46.0 cm stretcher; 70.0 x 59.7 x 6.5 cm frame
Ewen McDonald, The Art Gallery of New South Wales collections, 'From Colonialism to late Modernism', pg. 7-106, Sydney, 1994, 56 (colour illus.).
Charles Merewether, Art and social commitment: an end to the city of dreams 1931-1948, Sydney, 1984, 85, 157 (illus.). cat.no. 85; 'unsigned, undated'
Barry Pearce, Art Gallery of New South Wales handbook, 'Australian', pg. 13-35, Sydney, 1988, 24.
Barry Pearce, Three years on: a selection of acquisitions 1978-1981, 'Australian Art', pg. 5-26, Sydney, 1981, 6, 9 (illus.). cat.no. 3
Barrett Reid, Bernard William Smith, Janine Burke, Charles Merewether, Christine Dixon and Max Harris, Angry Penguins and Realist Painting in Melbourne in the 1940s, London, 1988, 153 (illus.), 173. cat.no. 160
Carmela Rubin (Editor), Yosl Bergner: a retrospective, 'Sylistic aspects', pg. 262-249, Tel Aviv, 2000, 79 (colour illus.), 223. cat.no. 14; note: numbers are in reverse as work published in Hebrew and English.
Natalie Wilson, Australian art: in the Art Gallery of New South Wales, 'Out of Melbourne: realisms and mythologies', pg. 163-164, Sydney, 2000, 164, 168 (colour illus.), 300.
Three years on: acquisitions 1978-81, Art Gallery of New South Wales, Sydney, 15 Oct 1981–01 Dec 1981
Art and social commitment: an end to the city of dreams:
Angry Penguins and Realist Painting in Melbourne in the 1940s:
Yosl Bergner Retrospective, Tel Aviv Museum of Art, Tel Aviv, 30 Mar 2000–30 Jun 2000