Skip to content

Collection

An image of Norman Hall, Lindale, GA by Lewis Wickes Hine

Lewis Wickes Hine

(United States of America 1874 – 1940)

Title
Norman Hall, Lindale, GA
Year
1913
Media category
Photograph
Materials used
gelatin silver photograph
Dimensions

11.7 x 8.8 cm image; 17.7 x 12.7 cm sheet

Signature & date
Not signed. Not dated.
Credit
Gift of the Sydney Camera Circle 1977
Accession number
21.1983
Location
Not on display
Further information

Lindale, GA April 1913. Norman Hall, 210 Park Street, Lindale, GA. Went to work over a year ago in Massachusette Mills at 10 ½ Years old. Family record says born October 16, 1901. Doffing. No real reason for his work as father and several others are working. (National Child Labor Committee caption card)

Lewis Hine was one of America’s most important social documentary photographers. He was educated as a sociologist, and later taught science and photography at the Ethical Culture School in New York. One of his students was Paul Strand, America’s seminal modernist photographer. In the early decades of the 20th century Hine used photography as a tool to describe social conditions, relying on the veracity of the image as evidence which was used to substantiate claims made by progressive social reformist organisations.

'Norman Hall, Lindale, GA' is from a vast survey Hine undertook between 1908 and 1918 for the National Child Labor Committee (NCLC) in which he investigated the working and living conditions of children across America. His combination of ‘straight’ photographic technique and information-rich captions enabled the succinct illumination of the human cost associated with exploitative employment practices. At the time his findings achieved massive circulation in newspapers, not only raising public awareness, but in his words: ‘My child-labour photographs have already set the authorities to work to see “if such things can be possible”. They try to get around them by crying “Fake” but therein lies the value of the data and a witness. My “sociological horizon” broadens hourly.’1

1. Goldberg V ed c1981, ‘Photography in print: writings from 1816 to the present’, University of New Mexico Press, Albuquerque pp 247–48

© Art Gallery of New South Wales Photography Collection Handbook, 2007

Bibliography (3)

Judy Annear, From the street: photographs from the collection, Sydney, 1996. no catalogue numbers

Judy Annear, American beauty: from Muybridge to Goldin, Sydney, 2003. no catalogue numbers

Martyn Jolly, Photography: Art Gallery of New South Wales Collection, 'International photo-documentary', pg.151-167, Sydney, 2007, 152, 158 (illus.).

Exhibition history (3)

International Photographs from the Collection, Art Gallery of New South Wales, Sydney, 12 Jan 1991–14 Apr 1991

From the Street - Photographs From the Collection, Art Gallery of New South Wales, Sydney, 27 Apr 1996–14 Jul 1996

American Beauty: from Muybridge to Goldin, Art Gallery of New South Wales, Sydney, 05 Jun 2003–27 Jul 2003