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Pastoral landscape



Claude Lorrain

France, Italy

1600 - 23 Nov 1682


Known as the 'Diamond Claude' by virtue of its faceted format, this exquisite painting on copper is one of a clutch of such works executed by the celebrated classicist. Claude Gellée was born in Lorrain, but spent most of a productive life in his beloved Italy, especially Rome and its pastoral environs exemplified in the Campagna. Initially inspired by northern artists active in that city, Elsheimer and Bril for example, Claude became fluent in the idealising vocabulary of Bolognese painters such as Domenichino. Behind his Arcadian landscapes lay a reliance on forms and relationships found in nature, especially the varied effects of natural light which are his hallmark. 'Pastoral landscape', with its lakeside setting, predicts the great seaport subjects of his maturity - works that profoundly influenced the romantic Turner. Claude's wider influence on subsequent landscape traditions in Europe is inestimable.

AGNSW Handbook, 1999.


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Other Title

Diamond Claude



Media category


Materials used

oil on copper


27.9 x 34.7 cm panel; 43.1 x 50.0 x 6.0 cm frame

Signature & date

Not signed. Not dated.


Gift of James Fairfax AC 1992

Accession number


Artist information

Claude Lorrain

Works in the collection


Shown in 8 exhibitions

Exhibition history


Count Carl Gustav Tessin, Sweden, Probably Count Carl Gustav Tessin, Swedish Ambassador to Paris 1739-43, and collector.

Samuel Woodburn, London/England, [dealer] his estate sale Christie's London, 15-19 and 23-25 May 1854, 7th day, 24 May 1854, lot no. 844, bought in, 460gn 'From the Swedish Minister's Collection'. His sale, Christie's London, 9 and 11 June 1860, 2nd day, lot no.136, purchased by Cockburn, 300gn. The price and buyer are recorded in an anotated copy of the sale catalogue in the National Gallery Library, London.

Cockburn, post 11 Jun 1860, Purchased at Christie's London, 11 June 1860, lot no. 136, 300gn. The price and buyer are recorded in an anotated copy of the sale catalogue in the National Gallery Library, London.

John Chapman Walker, circa 1882-1907, Whitby/England, by 1882, lent to 'Exhibition of Works by Old Masters' Royal Academy 1882

Agnew's, London, 1907-1908, London/England, Purchased by Agnew's from John Chapman Walker 1907

George Salting, 1908, London/England

Lady Binning, 1909-1952, England, by descent from George Salting to his niece Katherine Augusta Millicent Salting (only child of George Salting's brother William Severin Salting) who married George Baillie-Hamilton, Lord Binning (1856-1917).

George Baillie-Hamilton, 12th Earl of Haddington, 1952-29 Nov 1968, Scotland, by descent from Lady Binning to her son George Baillie-Hamilton, 12th Earl of Haddington, Mellerstain. Sold Christie's London, 29 November 1968, lot no. 74.

Agnew's, London, 29 Nov 1968-1973, London/England, Purchased by Agnew's at Christie's London, 29 November 1968, lot no. 74. Sold to James Fairfax 1973.

James Oswald Fairfax AC, 1973-09 Jul 1992, Bowral/New South Wales/Australia, Gift of James Fairfax 1992. Purchased by James Fairfax from Agnew's 1973.

Referenced in 25 publications


Agnew's, London, Claude Lorrain (1600-1682): an exhibition of paintings and drawings, partly from private collections, to mark the artist's tercentenary, London, 1982, frontispiece (colour illus.), 6, 11.

Agnew's, London, Catalogue of the collection of pictures and drawings of the late Mr George Salting, London, 1910, 11., Claude - 'River scene with cattle'

Agnew's, London, A Dealer's record: Agnew's 1967-81, London, 1981, 108 (illus.).

Art Gallery of New South Wales, Great gifts, great patrons: an exhibition celebrating private patronage of the Gallery, Sydney, 1994. no catalogue numbers

Art Gallery of New South Wales, The James Fairfax collection of old masters, Sydney, 1992. no catalogue numbers

Richard Beresford and Peter Raissis, The James Fairfax collection of old master paintings, drawings and prints, Sydney, 2003, 54 (colour illus.), 55-56, 57 (colour illus.). 11, illustration on page 57 is a detail

Richard Beresford, Look, 'Not only great art: fascinating stories discovered behind the works on show', pg.18-21, Sydney, Apr 2003, 20 (colour illus.).

Edmund Capon, Great philanthropists on trial : the art of the bequest, 'The James Fairfax collection', pg.126-135, Melbourne, 2006, 129 (colour illus.). fig.2

David Jones' Art Gallery, Sydney, 'Private treasures': an exhibition of art from Australian private collectors covering a period of five centuries, Sydney, 1978.

David Jones' Art Gallery, Sydney, Paintings and drawings from Agnew's, London, 1973, (illus.).

Renée Free, AGNSW Collections, 'The Western Heritage, Renaissance to Twentieth Century', pg. 108-172, Sydney, 1994, 118 (colour illus.).

A. Graves, A century of loan exhibitions, 1813-1912, London, 1913-1915, vol.1, 1913: 179.

Terry Ingram, The Australian Financial Review, 'Salting the wound: UK rejection leads to local hanging', pg.22, Sydney, 14 Sep 2006, 22.

Bruce James, Art Gallery of New South Wales handbook, 'Western Collection: Paintings and Sculpture', pg. 17-77, Sydney, 1999, 27 (colour illus.).

Michael Kitson and Marcel Röthlisberger, The Burlington Magazine, 'Claude Lorrain and the Liber Veritatis', pg.23, London, Jan 1959, 23. note 39 as 'possibly autograph'

Michael Kitson, Claude Lorrain, Liber veritatis, London, 1978, 58, (illus.). under no.11

Maria Teresa Penta, Bollettino d'arte [vol. 78], 'Tobiolo e l'angelo: una proposta per Claude Lorrain', pg.39-48, Rome, 1993, 40, 46. note 11

Marcel Roethlisberger and Doretta Cecchi, L'opera completa di Claude Lorrain, Milan, 1975, 92. no. 63

Marcel Roethlisberger and Doretta Cecchi, Tout l'oeuvre peint de Claude Lorrain, Paris, 1986, 91, (illus.). no.61

Marcel Roethlisberger, Claude Lorrain: the drawings, San Francisco, 1968, 116. under 126

Marcel Roethlisberger, Claude Lorrain: the paintings, London, 1961, vol. 1, 117-118; vol. 2, (illus.). no. LV11, plate 44

Royal Academy of Arts, Exhibition of works by old masters, London, Winter 1882, 47.

Author Unknown, Catalogue of Mr Goerge Salting's collection of pictures, [1910], 8.

Art Gallery of New South Wales Annual Report 1992, Sydney, 1992, frontispiece (colour illus.), 67.

Editor Unknown (Editor), Gazette des Beaux-Arts, 'Chronique des Arts' suppliment, Unknown, Mar 1993, 30 (illus.). no. 146