Building the Harbour Bridge III, the granite workers, April 1929
29 Jul 1881 - 15 May 1967
etching, foul bite, printed in brown ink with plate tone on cream wove paper
30.4 x 23.9 cm platemark; 45.7 x 29.3 cm sheet (irreg.)
Signature & date
Signed and dated l.r. beneath platemark, pencil "JCA Traill 1929".
Not on display
© Reproduced with permission
Where the work was made
Shown in 4 exhibitions
Metropolis, Museum of Sydney, Sydney, 18 Dec 1999–02 Apr 2000
Bridging Sydney, Museum of Sydney, Sydney, 16 Dec 2006–29 Apr 2007
Stars in the river; the prints of Jessie Traill, National Gallery of Australia, Parkes, 16 Feb 2013–23 Jun 2013
Sydney Moderns, Art Gallery of New South Wales, Sydney, 06 Jul 2013–07 Oct 2013
Referenced in 7 publications
Peter Emmett, Metropolis, Glebe, 1999. Exhibition guide, brochure format.
Caroline Mackaness, Bridging Sydney, Sydney, 2006, 168 (colour illus.).
Denise Mimmocchi, Sydney moderns: art for a new world, 'Icon of modernity: the Sydney Harbour Bridge', pg. 154-163, Sydney, 2013, 161 (colour illus.), 316, 324.
Macushla Robinson, Stars in the river: the prints of Jessie Traill, 'Building the Harbour Bridge series', pg. 52-61, Canberra, 2013, 9, 107, 114 (illus.), 146, 171 (illus.). NOTE: The text on page 107 speaks generally about Traill's Sydney Harbour Bridge works. 'Building the Harbour Bridge' series is specifically discussed on pages 56-60.
Anne Ryan, Australian etchings and engravings 1880s–1930s from the Gallery's collection, Sydney, 2007, 48 (colour illus.). cat.no. 68
John Slater, Through artists' eyes: Australian suburbs and their cities 1919-1945, 'Continuity and change', pg. 35-70, Melbourne, 2004, 59-60, 63, 74. Overall discussion of Traill's 'Bridge' etchings.
Susannah Smith, Look, 'Women's work: their diverse and significant contribution to the modernist art scene', pg. 13-15, Sydney, Aug 2013, 14.