Title
The feeling between fingertips, from the portfolio Grafik des Kapitalistischen Realismus
1967
Artist
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Details
- Other Title
- The sensuality between fingertips
- Alternative title
- Das Gefühl zwischen Fingerkuppen
- Date
- 1967
- Media categories
- Print , Collage
- Materials used
- colour screenprint, photo screenprint, four seed packets on folded cloth covered cardboard
- Edition
- 70/80
- Dimensions
- 69.5 x 49.8 x 1.0 cm image/sheet
- Signature & date
Signed l.r. sheet, pencil "BREHMER". Not dated.
- Credit
- Purchased 1991
- Location
- Not on display
- Accession number
- 187.1991.1
- Copyright
- © Estate of KP Brehmer/VG Bild-Kunst. Copyright Agency
- Artist information
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KP Brehmer
Works in the collection
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About
Capitalist realism was a movement formed in Germany in 1963 by a group of young artists who focused on the objective depiction of Germany's growing consumer culture and media-saturated society. Artists worked with a diverse range of mediums - actions, installations, film, sound and graphics - using images, often collaged and appropriated from consumer goods, advertisements, newspapers and magazines.
In 1967, Berlin gallerist and publisher René Block invited six artists associated with the movement to contribute a screenprint to the portfolio ‘Grafik des Kapitalistischen Realismus’ (‘graphics of capitalist realism’).
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Exhibition history
Shown in 1 exhibition
YES YES YES YES: Graphics from the 1960s and 1970s, Art Gallery of New South Wales, Sydney, 22 Dec 2016–19 Feb 2017
YES YES YES YES: Graphics from the 1960s and 1970s, Lake Macquarie City Art Gallery, Booragul, 27 Jul 2018–23 Sep 2018
YES YES YES YES: Graphics from the 1960s and 1970s, Glasshouse Regional Gallery, New South Wales, 08 Dec 2018–03 Feb 2019
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Bibliography
Referenced in 2 publications
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Ann Stephen, Pop to popism, 'What was Euro pop?: European pop art', pg.111-135, Sydney, 2014, 114, 126, 127 (colour illus.). illustrated in catalogue but not exhibited
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Susan Tallman, The contemporary print (from pre-Pop to Postmodernism), 'Multiplicity', pg. 69-95, London, 1996, 76-77. reference is to the whole portfolio
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