(Australia 1892 – 20 Dec 1984)
58.5 d 72.0 cm board; 71.9 x 85.3 x 5.5 cm frame:
0 - Whole; 58.4 x 72.2 cm; SIGHT DIMENSION
'Signing' is about the historic Yalta Agreement in 1945. It is a tense, ambiguous depiction of the encounter of the world leaders, Stalin, Churchill and Roosevelt, with photographers in the background. The artist focuses our attention on the act of signing, as if to convey that with a stroke of a pen the fate of millions of lives is sealed.
Untitled, 'List of works', pg. 117-124, 122.
Manly Art Gallery and Museum (Editor), Artists as social commentators and activists, Sydney, 2007, 30, 6 (colour illus.).
Virginia Spate, Art Monthly Australia, 'Amazing Grace: Thoughts inspired by the Grace Cossington Smith exhibition at the National Gallery of Australia, Canberra', pg. 22-30, Acton, Aug 2005, 27-28.
Daniel Thomas, Grace Cossington Smith, 'Modernity and inwards', pg. 102-107, Canberra, 2005, 102 (illus.), 147-148, 149 (colour illus.), 179.
Catherine Speck, Painting ghosts: Australian women artists in wartime, Melbourne, 2004, 192 (colour illus.), 193, 233. illus.no. 115
Alan Sisley, Central Western Daily, 'Colourful characters from a shady past', n.pag., Orange, 29 Oct 2011, n.pag. (colour illus.). Article relates to the exhibition 'An expanded vision: Mary Turner collection' held at Orange Regional Gallery in 2011.
Grace Cossington Smith (1976), Macquarie Galleries, Sydney, 03 Mar 1976–15 Mar 1976
Grace Cossington Smith: a retrospective exhibition (2005):
Artists as Social Commentators and Activists 1946-2006:
An expanded vision: Mary Turner collection, Orange Regional Gallery, Australia, 27 Aug 2011–30 Oct 2011