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Details
- Place where the work was made
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Mumbai
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Maharashtra
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India
- Date
- 1934
- Media category
- Photograph
- Materials used
- gelatin silver photograph
- Dimensions
- 8.8 x 11.2 cm image/sheet; 17.3 x 23.5 cm card
- Signature & date
Signed and dated l.r. card, pencil "F R Ratnagar 1934".
- Credit
- Gift of the Sydney Camera Circle 1977
- Location
- Not on display
- Accession number
- 155.1977
- Copyright
- © F R Ratnagar Estate
- Artist information
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F R Ratnagar
Works in the collection
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About
Ratnagar is credited with initiating the pictorialist movement in British India. In 1932, along with six other renowned artist photographers, he founded 'Camera Pictorialists of Bombay' for the advancement of pictorialist photography and the recognition of photography as a fine art in India. He was committed to promoting artistic photography in India, organising exhibitions there such as the All-India Salon of Photographic Art in 1933 and the first show of international photography in 1935. Ratnagar’s work was also recognised internationally, and he received a fellowship of both the Royal Photographic Society in Great Britain and the Photographic Society of America.
In a period that saw the increased popular usage of the camera, Ratnagar argued against the prejudices that this created in accepting the potential of the medium as an art form. He claimed that ‘the difference between the millions of people who use cameras and the few who practice pictorial photography is a difference in aim’.1
Ratganar would almost certainly have been in contact with photographers working in Australia. His work was acquired by the Sydney Camera Circle, a group of photographers in the early 20th century who adopted many of the characteristics associated with Pictorialism. The Sydney Camera Circle gift to the Art Gallery of New South Wales, with its inclusion of work by famous international pictorial photographers illustrates how this aesthetic, with its soft hues and artistic outlook, was a world-wide phenomenon and how Australian photographers were well aware of the styles and attitudes of their international colleagues.
1. Ratnagar F R 1942, ‘Photography as a fine art’, ‘Indian Photography and Cinematography’, Jul p 75