(Australia 03 Mar 1942 – )
67.9 x 35.5 cm image; 101.0 x 65.3 cm sheet; 105.0 x 69.0 x 5.5 cm frame
Pat Brassington's work has always used found images and those made by the artist. Until 1998 she worked in black and white, however more recently she has begun to use colour and worked with digital software in order to create the strange and surreal juxtapositions for which she is known. Brassington is able to present haunting, dream like images which lead the viewer to the edges of the imagination. The works from this particular series are perverse and beautiful. They are highly resolved images which mark the abilities of this artist to change technique and form, and be able to present her ideas with the same, if not more maturity.
Judy Annear, World without end - Photography and the 20th century, Sydney, 2000, inside front cover (colour illus.).
Alasdair Foster (Editor in Chief), Photofile 59, Pat Brassington recent work, pg.37-40, Paddington, Apr 2000, 37 (colour illus.).
World Without End - Photography and the 20th Century, Art Gallery of New South Wales, Sydney, 02 Dec 2000–25 Feb 2001
Pat Brassington work in progress, The Ian Potter Museum of Art, Parkville, 13 Jul 2002–15 Sep 2002
The surreal aesthetic, Art Gallery of New South Wales, Sydney, 28 Jul 2007–14 Oct 2007