Five bells was my first commission to paint in situ to cover a wall … I didn’t hesitate. I brushed a line around the core theme, the seed-burst, the life-burst, the sea-harbour, the source of life. Inside and around this core, I painted images drawn from metaphors and similes in [Kenneth] Slessor’s poem of our harbour city, and from my own emotional and physical involvement with the harbour, and with my young family in Watsons Bay …
I wanted to show the Harbour as a movement, a sea suck, and the sound of the water as though I am part of the sea ... The painting says directly what I wanted to say: ‘I am in the sea-harbour, and the sea-harbour is in me’.
John Olsen, 1999
oil on hardboard
264.5 x 274.0 cm board
Signature & date
Signed and dated l.r.corner, black oil paint "John Olsen '63".
Purchased with funds provided by the Art Gallery Society of New South Wales 1999
© John Olsen. Licensed by Viscopy, Sydney
Shown in 2 exhibitions
Sydney Harbour 1794-1979, S.H. Ervin Gallery, Sydney, 03 Aug 1979–26 Aug 1979
Australian icons: twenty artists from the collection, Art Gallery of New South Wales, Sydney, 04 Aug 2000–03 Dec 2000
Referenced in 28 publications
Debra Aldred, Courier Mail, 'Runaway record', Queensland, 07 Aug 1999, (illus.).
Prue Allen, Look, 'Message from the President of the Art Gallery Society', pg. 6, Melbourne, Oct 1999, 6.
Art Gallery of New South Wales, Art Gallery of New South Wales Annual Report 2000, 'Year in review', pg. 8-20, Sydney, 2000, 8, 19 (colour illus.).
Australian Broadcasting Corporation, Arts show report, Sydney, Jul 1999, (illus.).
Australian Broadcasting Corporation (Filmworker), Not a job for the boys, Sydney, 1973, (illus.).
Edmund Capon, Art Gallery of New South Wales: highlights from the collection, Sydney, 2008, 104-105 (colour illus.).
Peter Cochrane, The Sydney Morning Herald, 'Olsen felt 'rush of blood' ', Sydney, 05 Aug 1999.
Dick Collingridge (Filmworker), John Olsen and Five Bells 1963 - 1999, Canberra, Jul 1999.
Anabel Dean, The Bulletin with Newsweek, 'Water of life', Sydney, 13 Jul 1999, 116 (illlus.).
Elizabeth Foretscue, Daily telegraph, 'Master strokes', pg. 124, Sydney, 22 Jul 2000, 124. Review of the 'Australian Icons' exhibition.
Benjamin Genocchio, Art and Australia (Vol. 38, No. 3), 'Critic's choice: John Olsen Five Bells', pg. 392-393, Sydney, Mar 2001-May 2001, 392, 393 (colour illus.).
Benjamin Genocchio, The Weekend Australian, 'Harbouring various delights', pg. 23, Sydney, 09 Sep 2000-10 Sep 2000, 23 (colour illus.). Review of 'Australian Icons' exhibition.
Goodmans Fine Art Auctioneers and Valuers (Australia) (Compilator), Australian and European Paintings 3rd August 1999: Goodmans- Fine Art Auctioners and Valuers, Double Bay, Aug 1999, cover (colour illus.), colour illus.. no pagination, lot. no. 95
Deborah Hart, John Olsen, ''Salute to five bells' the Sydney Opera House Mural', pg. 111 - 122., Sydney, 1991, 78 (colour illus.), 79, 113, 114. cat.no. 48
Melissa Hayer, Sunday telegraph, 'Sensitive guys at art', Sydney, 11 Jul 1999, 201 (illus.).
Ben Holgate, The Australian, 'A tale of five bells: Olsen's seminal harbour scene comes into view', Sydney, 06 Jul 1999, 5 (illus.).
Terry Ingram., The Australian financial review, 'Randwick prices hint at bolting market', Sydney, 05 Aug 1999.
Terry Ingram, Art and Australia (Vol. 37, No. 2), 'Art market: Sales of the century', pg.270-275, Sydney, Dec 1999-Feb 2000, 275 (colour illus.).
Paul McGeough (Editor), The Sydney Morning Herald, Sydney, 09 Aug 1999.
Sandra McGrath, Sydney Harbour Paintings from 1794, Milton, 1979, 86 (colour illus.). cat.no. 77 This publication refered to this work as "Five bells No. 1".
Steve Meacham, The Sydney Morning Herald, 'Sparkle and shade', pg. 10-11, Sydney, 28 Jan 2012-29 Jan 2012, 10.
Steve Meacham, The Sydney Morning Herald, 'Paintings that find works for the land', pg. 15, Sydney, 13 Oct 2004, 15 (colour illus.).
Barry Pearce, The Weekend Australian, 'Time makes its judgment', pg. 2-3, Sydney, 12 Aug 2000-13 Aug 2000, 3 (colour illus.). This colour supplement is a 'Review Special' published for the 'Weekend Australian'. It consists of a four-page, colour wrap-around for the 'Weekend Australian Review'. 'The Australian' was the media sponsor for the AGNSW Exhibition 'Australian Icons', for the Olympic Arts Festival 2000.
Barry Pearce, Look: 1953-2003 celebrating 50 years, 'Presenting our own artists: how the AGS put balance into the Australian collection', pg. 42-44, Sydney, May 2003, 44.
Barry Pearce, Australian art: in the Art Gallery of New South Wales, 'Introduction', pg. 10-16, Sydney, 2000, 12 (colour illus.), 16, 301.
Judith White, Look, 'A year of gifts to the Gallery', pg. 16, Melbourne, Dec 1999-Jan 2000, 16 (colour illus.).
Judith White (Editor), Look, 'Five bells', Melbourne, Nov 1999, 7, 20- 21 (colour illus.).
Editor Unknown (Editor), Australian artist, 'Australian Icons at the Art Gallery of New South Wales', pg, 4-5, Chatswood, Aug 2000, 5 (colour illus.).