‘With his right hand raised in the ‘abhaya mudra’ and the left in the ‘varada mudra’, Shakyamuni Buddha stands flanked by the two bodhisattvas, probably Avalokiteshvara and Mahasthamaprapta. Carved in high relief on the halo are celestial musicians and a pair of ‘apsaras’ (celestial beings) that support an image of the seated Buddha, possibly Prabhutaratna, the Buddha of the past, who vowed to be present whenever the Lotus Sutra was invoked. The stele is carved from an exceptionally fine-grained limestone similar to that used in a large group of recently discovered 6th-century Buddhist sculptures from the Qingzhou region of Shangdong province. The quality of the stone allowed for a high degree of refinement and meticulous detail in the carving, making this an especially fine and beautiful example of early Chinese Buddhist art.’
‘The Asian Collections: Art Gallery of New South Wales’. pg.92
© 2003 Trustees, Art Gallery of New South Wales
Place where the work was made
Signature & date
Not signed. Not dated.
Not on display
Where the work was made
Shown in 3 exhibitions
Buddhist Art from the Collection of the Art Gallery of New South Wales, Art Gallery of New South Wales, Sydney, 06 May 1995–10 Sep 1995
Buddha: Radiant awakening, Art Gallery of New South Wales, Sydney, 10 Nov 2001–24 Feb 2002
Conversations through the Asian collections, Art Gallery of New South Wales, Sydney, 25 Oct 2014–13 Mar 2016
Referenced in 7 publications
Edmund Capon, Look, 'Standing Buddha', pg. 9, Heidelberg, Oct 1998, 9 (colour illus.).
Steve Meacham, The Sydney Morning Herald, 'Object of desire', pg. 24, Sydney, 08 Jan 2007, 24 (colour illus.).
Jackie Menzies, Asian Collection Handbook, Art Gallery of New South Wales, 'Introduction', pg. 9-17, Sydney, 1990, 12 (colour illus.).
Jackie Menzies (Editor), The Asian Collections Art Gallery of New South Wales, China 'Buddhist Art', Sydney, 2003, 92, 93 (colour illus.).
Jackie Menzies (Editor), Buddha: Radiant awakening, Sydney, 2001, 159 (colour illus.), 188. cat.no. 117
Jackie Menzies, AGNSW Collections, 'Asian Art - India, South-East Asia, China, Tibet, Korea, Japan', pg. 173-228, Sydney, 1994, 191 (colour illus.).
LIU Yang, Orientations, 'The Discovery of Mass: A Footnote to the Stylistic and Iconographic Innovation in Chinese Buddhist Sculpture', pg. 88-95, Hong Kong, Sep 2000, 89 (colour illus.). fig.2