One painting, cleaving
diptych: synthetic polymer paint on canvas
diptych: each panel 132.5 x 193.0 x 4.0 cm stretcher
Signature & date
Not signed. Not dated.
Not on display
© Imants Tillers
Shown in 6 exhibitions
Eureka! Artists from Australia, Serpentine Gallery, London, 13 Mar 1982–25 Apr 1982
Documenta 7, Exhibition Venue Unknown, 19 Jun 1982–28 Sep 1982
Seeing is believing - the art in photography, Art Gallery of New South Wales, Sydney, 13 Dec 1985–19 Jan 1986
Stories of Australian Art:
Imants Tillers: One Painting, Cleaving, Wollongong City Gallery, Wollongong, 09 Mar 1990–20 May 1990
Towards Infinity: works by Imants Tillers, Museo de arte Contemporáneo de Monterrey (MARCO), Mexico, 24 Sep 1999–01 Jan 2000
Referenced in 9 publications
Rex Butler, Lindy Lee: the dark of absolute freedom, 'When One Becomes Two', pg. 45-72, Brisbane, 2014, 46 (colour illus.), 47.
Charles Merewether, Towards Infinity: works by Imants Tillers, Displacement, Diaspora, Dissemination', pg.21-27, Mexico, 1999, 22, 23, 36 (colour illus.). cat.no 4
Bernice Murphy, Australian Perspecta 1981, Sydney, 1981.
Ursula Prunster, Seeing is believing: the art in photography, '50s 60s & Pop', Sydney, 1985, colour illus.. cat.no. 43; not paginated
Hennifer Slatyer', Imants Tillers: works 1978-1988, 'The Life-motif: interview with Imants Tillers, London, 1988. no pagination; not in the exhibition but referred to in the catalogue.
Imants Tillers, One painting, cleaving, Wollongong, 1990, 88-89 (colour illus.).
Nancy Underhill, Nick Waterlow, Ian Burn, Paul Taylor and Ann Lewis, Eureka! artists from Australia, London, 1982, 36. titled as 'One painting, cleaving'
Author Unknown, Stories of Australian Art, London, 1988.
Editor Unknown (Editor), documenta 7, Kassel, 1982, vol.2: 334.