(Australia, Greece 31 Aug 1951 – )
102.0 x 75.5 cm sheet, overall; 125.5 x 96.0 x 6.0 cm frame
This drawing is a self-portrait made over a period of a year after the death of the artist’s mother, a time of intense emotional introspection for him. It began as a study for a painting, to examine scale, format and structure. The work extended beyond this very quickly and from an initial intention to spend several hours, the drawing involved me for several months … 'The drawing was made with and without reference to the mirror, in both artificial and natural light.
The work engages the presence of mortality and grief (as well as) continuity …' (Nick Mourtzakis, 2000).
A watercolour – 'Eleni Mourtzakis, the artist’s mother' 1984 – is in the Gallery’s collection (see Hendrik Kolenberg, Australian watercolours 1880s to 1990s: from the Gallery’s collection, AGNSW, Sydney, 1995, p 107).
Megan Backhouse, The Age, ‘The secret artist’, pg. 3, Melbourne, 13 May 2000, 96 (colour illus.).
Elizabeth Cross, Look, 'Nick Mourtzakis', pg. 18-23, Newtown, May 2007, 18 (colour illus.).
Elizabeth Fortescue, The Daily Telegraph, ‘Drawing from the migrant experience’, pg. 106, Sydney, 31 Mar 2000, 106 (colour illus.).
Hendrik Kolenberg, The Dobell Prize for Drawing: 1993-2004, ‘Introduction: the first ten years’, pg. 8-9, Sydney, 2004, 9, 30, 31 (colour illus.), 50, 53.
Hendrik Kolenberg, Contemporary Australian Drawing: 20 years of the Dobell Prize for Drawing, ‘Introduction’, pg. 6-14, Sydney, 2012, 7, 34, 35 (colour illus.), 60.
Hendrik Kolenberg, Look, 'A fine harvest of drawings: legacy of an exceptional draughtsman', pg. 28-31, Newtown, Nov 2011, 30.
Dobell Prize for Drawing 2000, Art Gallery of New South Wales, Sydney, 18 Mar 2000–07 May 2000
The analytical portrait: works by Nikolas Mourtzakis, The Victorian College of the Arts Gallery, South Bank, 30 Mar 2004–02 Apr 2004
Slow burn: the art of Nick Mourtzakis, RMIT Gallery, Melbourne, 04 Jul 2005–23 Jul 2005
Contemporary Australian Drawing: 20 Years of the Dobell Drawing Prize: