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Collection

An image of Taranaki (The Heavens Declare the Glory of God), New Plymouth, 14 May 1986 by Laurence Aberhart

Laurence Aberhart

(New Zealand 1949 – )

Title
Taranaki (The Heavens Declare the Glory of God), New Plymouth, 14 May 1986
Year
1986
printed 1987
Media category
Photograph
Materials used
gelatin silver photograph
Dimensions

19.5 x 24.5 cm image; 24.7 x 30.3 cm sheet

Signature & date
Signed and dated l.r. corner, silver pen "L. Aberhart 1986/1987".
Credit
Purchased with funds provided by the Photography Collection Benefactors' Program 2002
Accession number
111.2002
Copyright
© Laurence Aberhart
Location
Not on display
Further information

Since the 1970s Laurence Aberhart has been photographing locations of cultural interest. While Aberhart takes a traditional and controlled approach to photography his work is unconventional, inverting the position photography has held in the past as a truthful eye, using it instead to suggest the unspoken truths of history. His work suggests that ‘place’, be it the natural landscape or the built environment, has an enduring memory and resilience.

The selected work has a metaphysical aspect in its content: Parihaka is an important location near Mount Taranaki, New Zealand, where a pacifist Maori group lived in the 19th century, their dreams of a gentle, inclusive and egalitarian society destroyed by the government of the day. The ancient and perfectly formed volcano Taranaki and the imposing observatory in the foreground stand as enduring witnesses to the passing of time and human history. Similarly, oceans, stone statues, vacant buildings, faded signs – all have appeared as resilient survivors in Aberhart’s photography.

Aberhart’s interest in the historic is evident both in the choice of location and the photographic techniques employed. Using a vintage 8 x 10 inch Korona view camera and contact-print processes the artist revisits 19th-century photographic techniques used to record the landscape. This early photographic technology requires long exposures as it slowly absorbs detail and light and, particular to Aberhart’s interest, evidence of time itself. The resulting images, which combine superior depth of field, rich detail and intense luminosity, have a hallucinatory effect.

© Art Gallery of New South Wales Photography Collection Handbook, 2007

Bibliography (3)

Judy Annear, Photography: Art Gallery of New South Wales Collection, 'Magical realism', pg.226-245, Sydney, 2007, 226 (illus.), 244 (illus.).

Te Papa - Museum of New Zealand Te Papa Tongarewa and Auckland Art Gallery Toi o Tamaki, Dream Collectors: One hundred years of art in New Zealand, Wellington, 1998, 164.

National Art Gallery, Wellington, Nature morte: 105 photographs, 1971-1989, 1990.

Exhibition history (4)

Nature Morte: 105 Photographs, 1971-1989, National Art Gallery, Wellington, Wellington, 19 May 1990–01 Jul 1990

Unknown, Aberhart's first solo exhibition in Australia, Darren Knight Gallery, Melbourne, 1994–1994

Dream Collectors: One hundred years of art in New Zealand:

º175 East, a Tasmanian/New Zealand photographic exchange, Sarjeant Gallery, Wanganui, Unknown–Unknown