Janet Dawson was one of the most important pioneers of non-objective painting to emerge in Australia in the 1960s. Returning to Melbourne in 1960 after studying in London, Paris and Italy, Dawson's use of simple shapes and pure colour was in stark contrast to the work of other artists working in Australia at the time, such as the Antipodeans, and the inclusion of her work was critical in the historic 'The Field' exhibition in Melbourne and Sydney in 1968.
In the early 1970s she moved to Binalong near Canberra to live and work. The landscape of her new home presented her with a number of visual challenges, to which she responded with abstract analyses of space and form on canvas. The 'Foxy Night series' was the product of Dawson's rural experience.
In the catalogue for the NGV's survey of Dawson's work in 1979, Robert Lindsay wrote of the series:
"These paths at night often cross, foxes attack pet chickens, insects eat cultivated vegetables. These paintings, like the moonlight, have an element of 'foxiness', of shifting light and ambiguity ... the surface is pulled and pushed in space, and just as moonlight creates changing optical illusions in nature so the painted surface is sometimes reinforced, at other times, denied, by the perspective effects created by the simple linear shapes".
Australian Art Department, AGNSW, 2001
pencil, black ink wash, white gouache on white wove paper, folded
29.2 x 39.5 cm sheet
Signature & date
Signed and dated l.l., pencil "78/79 Janet Dawson".
Gift of Peta Phillips 2001
Not on display
© Janet Dawson. Licensed by Viscopy, Sydney
Shown in 1 exhibition
Works on paper, Charles Nodrum Gallery, Richmond, 01 Nov 1989–18 Nov 1989