Toyoharu was the founder of the Utagawa school, a school of 'ukiyo-e' that was to dominate the late 1700s into the 1800s. As with many 'ukiyo-e' masters, biographical details on him are scant. He produced many prints, pioneering the use of perspective in his landscape prints. In the 1780s he turned to paintings of courtesans of which this is an extraordinary example. The subject is a high-class courtesan, yet its unusual scale would indicate it was created for a special patron or teahouse proprietor who avidly admired the girl. She is sumptuously dressed in between-season robes, boldly decorated with the classic pairing of phoenix and dragon. The distinctive hairdo with its wide side flanges and many combs and ornamental hairpins dates the work to the 1780s, when such hairstyles were the vogue.
The Asian Collections, AGNSW, 2003, pg.252.
Portrait of a standing courtesan (Tayû)
Place where the work was made
hanging scroll; ink and colour on silk
161.5 x 84.2 cm image; 274.0 x 105.5 x 117.5 cm scroll
Signature & date
Signed l.r., in Japanese, ink [inscribed] "Tôto Utagawa Toyoharu zu-shi [painted by Utagawa Toyoharu of the Eastern Capital (Edo)]" [and two artist's seals]. Not dated.
Purchased with funds provided by Kenneth Myer 1990
Not on display
Where the work was made
Shown in 4 exhibitions
The Floating World: Japan's World of transient pleasures, Art Gallery of New South Wales, Sydney, 25 May 1994–17 Jul 1994
Great gifts, great patrons, Art Gallery of New South Wales, Sydney, 17 Aug 1994–19 Oct 1994
Beauty and Desire in Edo period Japan, National Gallery of Australia, Parkes, 06 Jun 1998–09 Aug 1998
The golden journey: Japanese art from Australian collections, Art Gallery of South Australia, Adelaide, 06 Mar 2009–13 Jun 2009
Referenced in 7 publications
Julie Nelson Davis, The golden journey: Japanese art from Australian collections, ''Doing everything for effect': performing beauty in ukiyo-e of the late eighteenth and early nineteenth centuries', pg. 152-169, South Australia, 2009, 153 (colour illus.), 311 (colour illus.).
Gary Hickey, Beauty & desire in Edo period Japan, 'Pleasure Town', pg. 25-36, Parkes, 1998, 28 (colour illus.), 70. fig.no. 21
Jackie Menzies and Edmund Capon, Asian Collection Handbook, Art Gallery of New South Wales, 'Japanese Painting', pg. 53-69, Sydney, 1990, 54, 65 (colour illus.).
Jackie Menzies, The Floating World: Japan's world of transient pleasures, Sydney, 1994, cover (colour illus.). cat.no. C28
Jackie Menzies, Orientations, 'Japanese Figure Painting: From the Public to the Personal', pg. 114-119, Hong Kong, Sep 2000, 118 (colour illus.). fig.8
Jackie Menzies (Editor), The Asian Collections Art Gallery of New South Wales, 'The Floating World', Sydney, 2003, 252 (colour illus.).
Tadashi KOBAYASHI, Imaging the floating world: Essays on ukiyoe prints and paintings of the Edo period, Bunkyo-ku, 2009, 104 (colour illus.). cat.no.86