Books → Reference & Theory → Collections & Museology: 9 items
written by Lucy Steeds
MIT Press | ISBN 9780262526586
Paperback – 240 pages
Part of the Whitechapel : Documents of Contemporary Art series.
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This anthology provides a multivocal critique of the exhibition of contemporary art, bringing together the writings of artists, curators, and theorists. Collectively these diverse perspectives are united by the notion that although the focus for modernist discussion was individual works of art, it is the exhibition that is the prime cultural carrier of contemporaneity. The texts encompass exhibition design and form; exhibitions that are object-based, live, or discursive; projects that no longer rely on a physical space to be visited in person; artists’ responses to being curated and their reflections on the potential of acting curatorially. Set against the rise of the curator as an influential force in the contemporary art world, this volume underlines the crucial role of artists in questioning and shaping the phenomenon of the exhibition.
Art as Therapy: Works from the Collection of the NGV
by John Armstrong, Alain De Botton
Owning the Past
by Ruth Guilding
The Curator's Handbook
by Adrian George
National Gallery Technical Bulletin National Gallery Technical Bulletin Volume 35
by Alexandra Gent, Rachel Morrison, Ashok Roy
Ways of Curating
by Hans Ulrich Obrist