My work explores the notion of time and memory. Fascinated by the question of what remains after a moment has passed, I often use abandoned anonymous photographs as the starting point for my paintings. Disconnecting from the subjects’ identities allows a focus on the indefinable, yet timeless, collective nature of the human experience.
Spectators began as three photographs. I was drawn to these images by their shared sense of suspense and anticipation. By weaving them together to make this diptych – a process of choosing what will remain and what I will omit – I have created a new context, while giving these figures a new life.
Clara Adolphs, 2021