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Martin Sharp is one of Australia’s foremost pop artists as well as a cartoonist and songwriter. His psychedelic posters of musicians Bob Dylan and Jimmy Hendrix are classics of the genre, while his posters for the Nimrod Theatre Company are also iconic in theatre circles. He also designed record covers for the rock band Cream. From 1963 to 1965 he was art director of Oz magazine. In 1970 he founded the Yellow House near Kings Cross, inspired by artist Vincent van Gogh’s house in Arles, which he converted into a 24-hour performance art space. During the 1970s, he was a champion of performer Tiny Tim and of Sydney’s Luna Park.
Garry Shead has known Sharp for 50 years, first meeting at the National Art School in East Sydney. Sharp appeared in three of Shead’s experimental films. They also published the Arty Wild Oat newspaper, which was the inspiration for Oz.
‘Martin now has emphysema. When I began visiting him, I suddenly had the compulsion to paint him,’ says Shead. ‘Once I began the portrait it was like he was directing me. Martin has a museum of toys. His image of Mo [Roy Rene] became the face of Nimrod and Ginger Meggs. When I put Ginger in I suddenly realised it symbolised the boys killed in the fire at Luna Park [in 1979]. Martin had the job of revamping the whole place and he enlisted the help of his artist friends, myself included.’
Shead says about the portrait, ‘I learned about Martin’s great love for Vincent van Gogh, which then influenced the way I painted it. I also saw that for Martin, Luna Park had become a metaphor for the world.’
Shead has painted Sharp twice before. Both portraits were Archibald finalists. ‘One ended up in the National Portrait Gallery. The other in a pub in Double Bay.’
Born in Sydney in 1942, Shead won the 1993 Archibald Prize with a portrait of publisher Tom Thompson and the 2004 Dobell Prize for Drawing. This is his 14th time in the Archibald.