No 48 Entities suspended from a detector
Australia, United States of America
19 Jun 1920 - 19 Jun 2001
Entities suspended from a detector
Opus 48 Entities suspended from a detector
wood, carved, painted wood and dowels
48.3 x 34.2 x 11.5 cm
Signature & date
Signed and dated on base, incised "RK 48/ ...".
Gift of the Art Gallery Society of New South Wales 1970
© Estate of Robert Klippel
Where the work was made
Shown in 8 exhibitions
James Gleeson and Robert Klippel, The London Gallery Ltd., London, 09 Nov 1948–04 Dec 1948
Klippel: sculptures & dessins, Galerie Nina Dausset, Paris, 04 May 1949 -
Abstract compositions: paintings - sculpture, Macquarie Galleries, Sydney, 08 May 1951–21 May 1951
Robert Klippel: collage and drawings 1947-1983 (1983-84), Art Gallery of New South Wales, Sydney, 18 Nov 1983–03 Jan 1984
Surrealism: Revolution by Night:
Australian Collection Focus: James Gleeson and Robert Klippel: Madame Sophie Sesostoris, Art Gallery of New South Wales, Sydney, 01 Nov 1998–24 Jan 1999
Australian icons: twenty artists from the collection, Art Gallery of New South Wales, Sydney, 04 Aug 2000–03 Dec 2000
Robert Klippel: a tribute exhibition, Art Gallery of New South Wales, Sydney, 09 Aug 2002–13 Oct 2002
Referenced in 23 publications
Zoja Bojic., Australian art review, 'Reconstructing Robert Klippel', interviews, Clontarf, Mar 2003-Jun 2003, front cover (colour illus.).
Craig Bush, Look, 'Years of enrichment: The society reaches another milestone', pg. 12-15, Sydney, May 2009, 13 (colour illus.), 14.
Michael Desmond, Art Monthly Australia, 'The ghost in the machine: Robert Klippel at the Art Gallery of New South Wales', pg. 28-31, Canberra, Oct 2002, 29.
Deborah Edwards, Look, 'A quintessential 20th century artist: poetic synthesis of things organic and mechanical', pg. 22-26, Sydney, Aug 2002, 22 (colour illus.).
Deborah Edwards and Edmund Capon AM, OBE, Robert Klippel: large wood sculptures and collages, Sydney, 1995, 14, 32.
Robert Klippel, 'Below the surface: "the cogwheel and the bud", pg. 30-51, Sydney, 2002, 37, 38, 47 (colour illus.), 53, 247.
Robert Klippel: Catalogue raisonné of sculpture, Sydney, 2002, (illus.). No. 48 Entities suspended from a detector
Deborah Edwards., The Sydney Morning Herald, 'A sculptor of singular vision', Sydney, 20 Jun 2001, 20 (illus.). Obituary by Deborah Edwards for the Metropolitan Section
Deborah Edwards., Australian Collection Focus: James Gleeson & Robert Klippel Madame Sophie Sesostoris (a pre-raphaelite satire) 1947-48, 'Below the surface: James Gleeson & Robert Klippel Madame Sophie Sesostoris (a pre-raphaelite satire) 1947-48', Sydney, 1998, colour illus..
Robert Klippel, Kensington, 1983, 56 (colour illus.), 57-58, 463. plate no. 51; titled 'Opus 48 'Entities suspended from a detector''
Robert Hughes., Art and Australia [series 5, vol. 2, no. 1], 'Robert Klippel', Sydney, May 1964-Jul 1964, 21 (colour illus.).
Bruce James., The Sydney Morning Herald, 'From junk to genius, it's all here', Sydney, 21 Aug 2002, (illus.).
Australia's national collections, North Ryde, 1980, 260 (illus.).
Paul McGillick', Indesign, 'Make it new', pg, 58-62., Sydney, Aug 2002, 60 (colour illus.).
Art Gallery of New South Wales Quarterly, Sydney, Jul 1971, 608, 619 (illus.). Special Gifts
National Gallery of Australia (Editor), Surrealism: Revolution by night, Canberra, 1993, 246 (colour illus.).
Maudia Palmer, Robert Klippel: a retrospective exhibition of sculpture and works on paper, 'Foreward / Acknowledgements', pg. 3, Bulleen, 1987, 3.
Barry Pearce, Look: 1953-2003 celebrating 50 years, 'Presenting our own artists: how the AGS put balance into the Australian collection', pg. 42-44, Sydney, May 2003, 43.
Australian sculptors, Melbourne, 1980, 323, 324 (illus.).
Graeme Sturgeon, The development of Australian sculpture, 1788-1975, London, 1978, 145 (illus.). plate no. 86
Jill Sykes (Editor), Look, Sydney, Aug 2011, 45 (colour illus.). reproduction only
David Tunny, Look, 'Australian Focus on Madame Sophie', pg. 15, Heidelberg, Nov 1998, 15.
Seeing Australia: views of artists and artwriters, Annandale, 1994, 101 (illus.).