Australia, England, France
29 Apr 1875 - 28 May 1963
She feels that this is a mechanical age - a scientific one - highly civilised and unaesthetic. She knows that the time has come to express her surroundings in her work. All around her in the simple domestic life is machinery - patent ice-chests that need no ice, machinery does it; irons heated by invisible heat; washing up machines; electric sweepers, and so on. They all surround her and influence her mind …
Margaret Preston, 1927
'Implement blue' is one of Margaret Preston's most innovative works, embodying the values of progressive, modern living. Its restricted palette and strict analysis of form exemplify Preston's quest to isolate and resolve pictorial problems within the still-life genre. The domestic vessels have been renamed 'implements' and reduced to essential forms.
From the Gallery Shop
110.0cm wide x 110.0cm high
6.5cm wide x 6.5cm high
oil on canvas on hardboard
42.5 x 43.0 cm board; 58.3 x 59.0 x 4.0 cm frame
Signature & date
Signed and dated l.r. corner, blue oil "M.PRESTON/ 27".
Gift of the artist 1960
© Margaret Rose Preston Estate. Licensed by Copyright Agency
Where the work was made
Shown in 13 exhibitions
The Burdekin House exhibition: in aid of the Royal Prince Alfred Hospital, Burdekin House, 08 Oct 1929–21 Dec 1929
Purchases and Acquisitions for 1960, Art Gallery of New South Wales, Sydney, 22 Mar 1961–23 Apr 1961
Seeing is believing - the art in photography, Art Gallery of New South Wales, Sydney, 13 Dec 1985–19 Jan 1986
South Australian Women Artists: 1890s - 1940s, Art Gallery of South Australia, Adelaide, 15 Apr 1994–17 Jul 1994
The Real Thing, Museum of Modern Art at Heide, Melbourne, 08 Dec 1997–22 Feb 1998
Australian icons: twenty artists from the collection, Art Gallery of New South Wales, Sydney, 04 Aug 2000–03 Dec 2000
Modern Australian women: paintings and prints, Art Gallery of South Australia, Adelaide, 24 Nov 2000–21 Feb 2001
Favourites: Margaret Olley and Jeffrey Smart (2002), S.H. Ervin Gallery, The Rocks, 12 Jan 2002–24 Feb 2002
Margaret Preston in Mosman, Mosman Art Gallery, Mosman, 07 Sep 2002–13 Oct 2002
Margaret Preston retrospective:
Sydney Moderns, Art Gallery of New South Wales, Sydney, 06 Jul 2013–07 Oct 2013
O'Keeffe, Preston, Cossington Smith: Making Modernism:
- Heide Museum of Modern Art, Melbourne 12 Oct 2016–19 Feb 2017
- Queensland Art Gallery/Gallery of Modern Art, Brisbane 11 Mar 2017–11 Jun 2017
- Art Gallery of New South Wales, Sydney 01 Jul 2017–02 Oct 2017
Referenced in 61 publications
Katrina Cashman., Margaret Preston in Mosman, 'Margaret Preston in Mosman', Mosman, 2002, (colour illus.). no catalogue numbers; not paginated
Gary Catalano, Art and Australia (Vol. 21, No. 1), 'About the house: the domestic theme in Australian art', Sydney, Spring 1983, (illus.). not paginated
Patrick Cavanagh, Nature, 'The artist as neuroscientist', pg. 301-307, London, 17 Mar 2005, 304 (colour illus.).
Jackie de Diana, Look, 'Art and Australia: More views of European preludes and parallels', pg. 16-17, Sydney, Nov 2010, 12 (colour illus.).
Deborah Edwards, Australian art: in the Art Gallery of New South Wales, 'Moderns', pg. 103-104, Sydney, 2000, 118 (colour illus.), 301.
Sarah Engledow', The world of Thea Proctor, 'The world of Thea Proctor', pg. 16-84, Canberra, 2005, 50.
Lesley Harding, Cubism & Australian art, 'L'Esprit Nouveau 1913-1929', pg. 19-47, Melbourne, 2009, 29 (colour illus.).
Deborah Hart, Grace Cossington Smith, 'A distinctive vision', pg. 26-55, Canberra, 2005, 36, 103.
Lois Hunter, The Australian art companion - A selection of influential artists, 'Margaret Preston', pg. 38-39, Balgowlah Heights, (1990), 39 (colour illus.).
Jane Hylton, Modern Australian women: paintings & prints 1925-1945, 'Modern Australian women', pg. 15-27, Adelaide, 2000, 22, 23 (colour illus.), 67, 125.
Glenis Israel, Artwise: visual art 7-10, 'Chapter 5: Human-made: Structures and Objects', pg. 153-200, Milton, 2013, 176 (colour illus.), 177-178..
Bruce James, Art Gallery of New South Wales handbook, 'Australian Collection: Painting and Sculpture', pg. 102-181, Sydney, 1999, 138 (colour illus.).
Rosemary Lloyd, Yearbook of comparative and general literature [Vol. 49, 2001], 'Objects in the mirror: gendering the still life', pg. 39-55, Bloomington, 2002, 47, 54 (illus.).
John McDonald, Australian painters of the twentieth century, 'Margaret Preston', pg. 16-27, Sydney, 2000, 23 (colour illus.).
Humphrey McQueen, Hemisphere [vol. 20, no. 8], 'An enemy of dull', pg. 34-39, Australian Capital Territory, 1976, 34 (colour illus.).
William Moore, Daily telegraph, 'Contemporary painters' show has originality', pg. 13, Sydney, 01 Dec 1929, 13.
Barry Pearce, Art Gallery of New South Wales handbook, 'Australian', pg. 13-35, Sydney, 1988, 24 (illus.).
Barry Pearce, Margaret Preston, 'Implement Blue', pg. 122, Sydney, 2005, 54, 108, 118, 120-121, 122, 124, 128, 123 (colour illus.), 6 (colour illus., detail),.
Georgina Pemberton, H&H: Hoofs & horns, 'Portrait of a lady', pg. 128-129, Neutral Bay, Autumn 2005, 128, 129 (colour illus.).
Ann Proudfoot, An expanded view: the Mary Turner Collection at Orange Regional Gallery, 'An expanded view', pg. 5-23, Orange, 2011, 17.
John Saxby, Sydney Morning Herald, no 15348, 'A window opens on new stories about building the collection', pg. 26-28, Sydney, 04 Jun 1887, 26.
Terry Smith, Transformations in Australian art: The twentieth century - Modernism and Aboriginality [Volume Two], 'Adopt, adapt, transform! Modernist strategies in Margaret Preston's Still Life, 1927', pg. 47-74, St Leonards, 2002, 48, 49,50, 53 (illus.), 54, 55, 56, 64, 65, 66.
Ann Stephen, Modern times: the untold story of modernism in Australia, 'Introduction', Sydney, 2008, xxiv (colour illus.), xxv.
Ann Stephen, Art and Australia (Vol. 46, No. 1), 'Defining modernism in Australia', pg. 56-57, Sydney, 2008, 57.
Jill Sykes, Look, 'Breaking the territorial mould: some thoughts from a new head curator', pg. 30-31, Sydney, Sep 2011, 30 (colour illus.).
Daniel Thomas, Art and Australia [vol. 9, no. 4], 'Art Deco in Australia', pg. 338-350, Sydney, Mar 1972, 350 (illus.).
Daniel Thomas, Sydney moderns: art for a new world, 'Foreword', pg. 11-12, Sydney, 2013, 11, 73, 118, 120, 148, 149 (colour illus.), 200, 315, 323.
Wayne Tunnicliffe and Deborah Edwards, Look, 'New Australia', pg. 24-27, Sydney, May 2012, 25.
Margaret Preston: Catalogue raisonné of paintings, monotypes and ceramics, Sydney, 2005, (colour illus.). Artworks: paintings 1927.
Stravinsky's lunch, Sydney, 1999, 264, 265 (illus.).
The Real Thing, Australia, 1997, 26 (colour illus.), 88.
Modernism and Feminism Australian Women Artists 1900-1940, Sydney, 1996, 58 (illus.). Illustration 14
In our own image: the story of Australian art, Sydney, 1995, 106 (colour illus.).
South Australian Women Artists: 1890s - 1940s, Apr 1994, 13 (colour illus.), 74 (illus.). fig. 13; cat. no. 68
Strange women: essays in art and gender, Melbourne, 1994, 36-37, 38 (colour illus.).
The yellow lady: Australian impressions of Asia, Australia, 1992, 55, 55 (illus.).
Australian painting 1788-1990, South Melbourne, 1991, 208 (colour illus.). cat.no. 117
The prints of Margaret Preston: a catalogue raisonné, Canberra, 2005, 23, 198 (colour illus.).
Australian Modern Painting Between the Wars 1914-1939, 'Recall to order', pg. 78-91, Sydney, 1989, 81, 83 (colour illus.), 84. plate no. 59
Shimmering in a transformed light: writing the still life, 'Looking in, looking out: objects in the mirror', pg. 114-132, Ithaca, 2005, front cover (illus.), 5, 128 (illus.), 129. figure no. 14
In our own image: the story of Australian art, Sydney, 2002, 101 (colour illus.).
Margaret Preston: the art of constant rearrangement, Ringwood, 1985, 38 (colour illus.), 85. cat.no. O.7
The formalesque: a guide to modern art and its history, South Yarra, 2007, 92 (colour illus.).
Visions after light: Art in South Australia 1836-1981, Adelaide, 1981. cat.no. 138; not paginated
The art of Margaret Preston, South Australia, 1980, 21 (colour illus.), 47 (illus.). cat.no. O.19
Art Gallery of New South Wales: highlights from the collection, Sydney, 2008, 92 (colour illus.).
200 Years of Australian painting, Rushcutters Bay, 1971, 46, 47 (colour illus.).
The art of Australia, Melbourne, 1970, 123 (illus.). cat.no. 46
Art Gallery of New South Wales Quarterly, 'Acquisitions for 1960', pg. 58-67, Sydney, Apr 1961, 65 (illus.).
1960 Acquisitions, Sydney, 1960, 24. cat.no. 31
Margaret Preston and William Dobell loan exhibition, Sydney, 1942, 9. cat.no. 34
The Burdekin House Exhibition, Sydney, 1929. not paginated
44th Annual Exhibition of pictures, Hobart, 1928. cat.no. 139; not paginated; priced at 20 guineas
Art in Australia [series 3, no. 22], Sydney, Dec 1927, front cover (colour illus.). Margaret Preston number.
Seeing is believing: the art in photography, 'Art Deco & Modernism', Sydney, 1985, colour illus.. cat.no. 37; not paginated
Australian art, 'Order and transcendence: art between the wars 1919-39', pg. 120-139, Oxford, 2001, 120 (colour illus., detail), 127 (colour illus.). plate no. 70
S.A.'s greats: the men and women of the North Terrace plaques, 'Margaret Presont (1875-1963), Artist', pg. 106, Kent Town, 2001, 106.
Modern Australian women: paintings and prints 1925-1945, Adelaide, 2000, (colour illus.). not paginated; 6-page fold-out brochure accompanying the exhibition
Australian modern masters and 19th & 20th century Australian and International Fine Art: Fine Art auction 3 & 4 May 2000, Melbourne, 2000, 98. reference to work in association with lot 61 'Australian gum blossom' painted in 1929; colour illus. of lot 61 on pg. 99
The complete book of great Australian women: thirty-six women who changed the course of Australia, 'Margaret Rose Preston', pg. 547-563, Pymble, 2003, 556.
Aspects of Australian art, Sydney, 2000, (colour illus.). card no. 5: Margaret Preston 'Implement blue' 1927