Dame Mary Gilmore
24 Sep 1899 - 13 May 1970
"I want to say how proud I am that you want to make a sketch of me. You are the only painter we have, perhaps the only one we ever had, whose work has its ghosts behind it ..."
- Dame Mary Gilmore 1943
"The painting is far more important than the sitter. This painting will still be carrying my identity when my own work is forgotten."
- Dame Mary Gilmore 1957
Dame Mary Gilmore (1865-1962) was a distinguished humanitarian, poet, left-wing political activist and social reformer, who became part of a network of writers and artists, including Dobell, who lived in Kings Cross, Sydney following the war. This portrait, typically developed through many sketches and studies, is perhaps the most profound of his many commissioned portraits during the last years of his life.
Australian Art Department, Art Gallery of New South Wales, 2000
This work was a finalist in the 1957 Archibald Prize and was acquired by the Gallery in 1960.
oil on hardboard
90.2 x 73.7 cm board; 105.1 x 88.6 x 6.5 cm frame
Signature & date
Signed l.r. corner, orange oil "DOBELL". Not dated.
Gift of Dame Mary Gilmore 1960
Not on display
© Courtesy Sir William Dobell Art Foundation.
Shown in 11 exhibitions
The art of William Dobell (1959), Finney's Art Gallery, Brisbane, 11 Aug 1959–11 Sep 1959
Contemporary Australian art (1960), Charles Birks & Co., 14 Mar 1960 -
Purchases and Acquisitions for 1960, Art Gallery of New South Wales, Sydney, 22 Mar 1961–23 Apr 1961
William Dobell: Paintings from 1926 - 1964 (1964), Art Gallery of New South Wales, Sydney, 15 Jul 1964–30 Aug 1964
Twentieth century Australian masterworks from the Art Gallery of New South Wales and the Fred Williams Pilbara series from the collection of CRA Limited, Tokyo Metropolitan Teien Art Museum, 04 Oct 1985–06 Nov 1985
Uncommon Australians: Towards an Australian Portrait Gallery:
- National Gallery of Victoria [St Kilda Road], Melbourne 06 May 1992–28 Jun 1992
- National Gallery of Australia, Parkes 10 Jul 1992–09 Aug 1992
- Queensland Art Gallery, South Brisbane 25 Aug 1992–20 Sep 1992
- Art Gallery of New South Wales, Sydney 22 Oct 1992–22 Nov 1992
- Art Gallery of South Australia, Adelaide 03 Dec 1992–31 Jan 1993
William Dobell the painter's progress (1997-1998):
- Art Gallery of New South Wales, Sydney 14 Feb 1997–27 Apr 1997
- Newcastle Region Art Gallery, Newcastle 07 May 1997–06 Jul 1997
- Museum of Modern Art at Heide, Bulleen 29 Jul 1997–21 Sep 1997
- Queensland Art Gallery, South Brisbane 25 Oct 1997–07 Dec 1997
- Tasmanian Museum and Art Gallery, Hobart 08 Jan 1998–01 Mar 1998
The possibilities of Portraiture, National Portrait Gallery [Old Parliament House], Canberra, 04 Mar 1999–20 Jun 1999
Australian icons: twenty artists from the collection, Art Gallery of New South Wales, Sydney, 04 Aug 2000–03 Dec 2000
(Focus on William Dobell's 'Dame Mary Gilmore'), Queensland Art Gallery, South Brisbane, 17 Jun 2002–02 Oct 2002
Kings Cross - Bohemian Sydney, Elizabeth Bay House, Elizabeth Bay, 31 May 2003–21 Sep 2003
Referenced in 38 publications
Tony Bonyhady, The Australian's Review of Books, 'With heads held high', pg. 14-16, Sydney, Jun 1999, 15 (colour illus.).
Rebecca Corbell, The Possibilities of Portraiture, "Introduction", pg. 5-6, Canberra, 1999, 7 (colour illus.).
Our Art Critic., The Sydney Morning Herald, 'The Archibald, Wynne and Sulman Art Prizes', Sydney, 12 Dec 1957, page unknown. Archibald Prize review.
the "Mirror" art critic'., Daily Mirror, 'Painters and paintings, Sydney, 12 Dec 1957, page unknown. Archibald Prize review.
Prue Davidson, William Dobell - the painter's progress, 'The later years', pg. 110-133, Sydney, 1997, 74, 110, 114, 115 (colour illus.), 144. cat.no. 39a
Geoffrey Dutton., Bulletin, 'Artbursts: Archibald and Wynne', Sydney, 18 Dec 1957, page unknown. Archibald Prize review.
Mary Eagle, A tribute to William Dobell, 'The strength of life', pg. 10-41, Canberra, 1999, 14, 17.
James Gleeson., Sun, 'Art's "anemia": Prize "not to best portrait"', Sydney, 12 Dec 1957, page unknown. Archibald Prize review.
James Gleeson, The drawings of William Dobell in the Australian National Gallery, 'The draughtsman as artist', pg. 6-17, Canberra, 1992, 10, 13.
Anne Gray, Face: Australian portraits 1880-1960, 'Face: Australian portraits 1880-1960', pg. 15-41, Canberra, 2010, 20, 21 (colour illus.).
Shireen Huda, Pedigree and panache: a history of the art auction in Australia, 'Chapter 4. Australian Art at auction: the 1960s market', pg. 55-77, Canberra, 2008, 62.
John Kelly, Art Monthly Australia, 'William Dobell: An artist's life', pg. 44-45, Canberra, Nov 2010, 45 (colour illus.). Review of Elizabeth Donaldson book on Dobell.
Joan Kerr, Art Monthly Australia, 'The possibilities of a National Portrait gallery', pg. 2-8, Canberra, Apr 1999, 7 (illus.), 8.
Elwyn Lynn, Modern Australian painting, 1950/1975, Adelaide, 1980, frontispiece (colour illus.).
Hal Missingham, William Dobell, Brisbane, 1959. cat.no. 64; Late Inclusions: The portrait was commissioned by the Australian Book Society on the occasion of Dame Mary's 90th birthday, 16/8/55. It is kindly lent by the Society
Hal Missingham, Art Gallery of New South Wales Quarterly, 'Acquisitions for 1960', pg. 58-67, Sydney, Apr 1961, 58, 60 (illus.), 61.
Barry Pearce, Art Gallery of New South Wales handbook, 'Australian', pg. 13-35, Sydney, 1988, 26, 27 (illus.).
Judith White, art lovers: the story of the Art Gallery Society of New South Wales 1953-2013, 'Chapter 2: After the Ball1960-1972', pp. 41-64, Sydney, 2013, 6 (illus.), 42.
Judith White, Australian art collector, 'Yours sincerely: William Dobell', pg. 56-59, Sydney, Apr 2000-Jun 2000, 58 (colour illus.), 59.
Touchdown School Magazine, Sydney, Jul 1994, (illus.).
AGNSW Collections, 'From Colonialism to late Modernism', pg. 7-106, Sydney, 1994, 48, 49 (colour illus.).
Uncommon Australians: towards an Australian portrait gallery, Sydney, 1992, 95 (colour illus.).
Author Unknown, William Dobell: the painters progress, Sydney, 1997, (illus.).
Joshua Smith: artist 1905-1995, 'Art works and anecdotes', pg. 71-88, New South Wales, 1998, 83.
Twentieth century Australian masterworks from the Art Gallery of New South Wales and the Fred Williams Pilbara Series, Tokyo, 1985, 31 (colour illus.). cat.no. 14
Portrait of a Gallery, 'Australian 20th Century Art', pg. 71-89, Sydney, 1984, 77 (colour illus.), 76.
Famous people: a selective who's who from works in the Art Gallery of New South Wales, Sydney, 1981, 6 (illus.).
52 views of Rudy Komon, Sydney, 1999, 46 (illus.). NOTE: There is a black and white photograph of Rudy Komon and Dame Mary Gilmore infront of this painting.
100 masterpieces of Australian painting, Adelaide, 1973, 178, 179 (colour illus.). plate no. 86
Art and medicine: reminiscences & reflections of a retiring surgeon, 'Postlude', pg. 79-87, Melbourne, 1999, 87.
Modern Australian painting and sculpture: a survey of Australian art from 1950-1960, Adelaide, 1960, 35 (colour illus.).
Let's face it: the history of the Archibald Prize, 'The Postwar Years', pg. 40-62, Sydney, 1999, 51 (colour illus.).
Australian readers: discovering democracy, 'Family comes first', pg. 56, Carlton South, 2002, 57 (colour illus.). Upper Secondary school text book. Includes the poem 'Nationality' by Dame Mary Gilmore.
Currency lads & lasses: behind the faces on Australian banknotes, 'Dame Mary Gilmore', pg. 188-193, South Melbourne, 2004, 192 (colour illus.).
A singular voice: essays on Australian art and architecture, 'The possibilities of a National Portrait Gallery, 1999', pg. 75-81, Sydney, 2009, 77 (illus.).
Unknown (Editor), Sun, 'Hele wins again: this year's Archibald', Sydney, 11 Dec 1957, page unknown. Archibald Prize review.
William Dobell: an artist's life, 'Life at Wangi', pg. 127-172, New South Wales, 2010, 66, 69, 132, 133 (colour illus.), 134 (illus.), 135, 195 (colour illus.). NOTE: Photograph on page 34 has Dame Mary Gilmore standing infront of Dobell's portrait.
William Dobell: his life, art and home, 'Life at Wangi', pg. 75-97, New South Wales, 2011, 77, 78 (illus., detail), 79, 94 (colour illus.), 134. NOTE: Photograph on page 78 has Dame Mary Gilmore standing infront of Dobell's portrait.