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Australian art

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Miss Thea Proctor



George W Lambert

Russia, Australia

1873 - 1930


Thea Proctor was an important figure in George W Lambert's life. Both friend and great admirer of his work, she was a prominent Australian painter, printmaker and teacher with whom he later jointly established the Contemporary Art Group. They had both returned to Australia in 1921 after two decades in England. Proctor had been a daily visitor to his home in London, and posed regularly for his portraits.

Lambert's charming early portrait of his friend revealed his admiration for leading society portrait painters of the day, in particular Charles Furse. This was Lambert's first painting to be exhibited at London's Royal Academy in 1904, where it was prominently hung.


Other Title

Portrait of Miss Thea Proctor

Place where the work was made

London England



Media category


Materials used

oil on canvas


90.0 x 69.8 cm sight; 92.0 x 71.6 cm stretcher; 113.2 x 92.8 x 5.5 cm frame

Signature & date

Signed l.r. corner, red oil "GWL [monogram]". Not dated.


Purchased under the terms of the Florence Turner Blake Bequest 1961

Accession number


Artist information

George W Lambert

Artist profile

Works in the collection



Where the work was made

Shown in 14 exhibitions

Exhibition history

Referenced in 37 publications


Art Gallery of New South Wales, Art Gallery of New South Wales picturebook, Sydney, 1972, 89 (colour illus.).

John Baily', Fifth Adelaide Festival of Arts 1968: Special exhibitions at the Art Gallery of South Australia, 'George Washington Lambert', pg. 27-28, Adelaide, 1968, 28. 3

Candice Bruce, Brought to Light: Australian Art 1850–1965 from the Queensland Art Gallery collection, 'Family and a Special Friend. George Washington Lambert Portrait group (The mother)', pg. 102-7, Brisbane, 1998, 104.

Jean Campbell, Early Sydney moderns : John Young and the Macquarie Galleries 1916-1946, Sydney, 1988, 40.

Edmund Capon AM, OBE and Ursula Prunster, Face to face: Australian portraits, Sydney, 1986, (colour illus.). 4

Mary Eagle, A tribute to William Dobell, 'The strength of life', pg. 10-41, Canberra, 1999, 31.

Juliana Engberg, Art and Australia (Vol. 35, No. 2), 'Of his time', pg. 194-195, Sydney, 1997, 194 (colour illus.).

Sarah Engledow', The world of Thea Proctor, 'The world of Thea Proctor', pg. 16-84, Canberra, 2005, 16 (colour illus.), 27, 179.

James Gleeson, Impressionist painters 1881-1930, St Kilda, 1971, 122 (colour illus.). plate no. 101

Anne Gray, The Edwardians: secrets and desires, 'The Edwardians', pg. 11-72, Canberra, 2004, 65, 107-108 (colour illus., detail), 111, 113 (colour illus.), 185 (colour illus.). 66

Anne Gray (Editor), Art and Artifice: George Lambert (1873-1930), 1996, cover (illus.), 68 (colour illus.).

Anne Gray, George Lambert (1873-1930) catalogue raisonné: paintings and sculpture, drawings in public collections, Perth, 1996, 12. P50

Beatrice Gullström, Alison Hissey, Elizabeth Horne, Carola Krueger, Peter Sawbridge and Nick Tite, Genius and ambition: The Royal Academy of Arts, London, 1768-1918, 'Australian artists at Burlington House', pg. 164-197, London, 2014, 175 (colour illus.), 206. 105

Peter Haynes (Compilator), Famous people: a selective who's who from works in the Art Gallery of New South Wales, Sydney, 1981, cover (illus.), 14 (illus.).

Robert Holden, Cover Up: The art of magazine covers in Australia, Sydney, 1995, 92.

Robert Hughes, The art of Australia, 'The expatriates 1890-1930', pg. 93-112, Melbourne, 1970, 12, 98, 99 (illus.), 326. plate no. 33

Bruce James, Art Gallery of New South Wales handbook, 'Australian Collection: Painting and Sculpture', pg. 102-181, Sydney, 1999, 125 (colour illus.).

Alexandra Joel, Parade: The story of fashion in Australia, 'Edwardian Splendour', pg. 39-57, Pymble, 1998, 42 (colour illus.), 43.

Arthur Jose, The Art of George W. Lambert, Sydney, 1924, 11.

Amy Lambert, Thirty years of an artist's life : the career of G.W. Lambert, A.R.A, Sydney, 1938, 38.

Tony MacDougall (Editor), Australian Encyclopaedia Vol. 6, Sydney, 1996, 2334 (colour illus.).

Jan Minchin, The prints: Thea Proctor, 'Thea Proctor: A biography', pg. 6-13, Sydney, 1980, 2 (illus.), 6.

William Moore, The story of Australian art from the earliest known art of the continent to the art of today (Vol. 2), Sydney, 1934, 5.

Andrew Motion, The Lamberts. George, Constant & Kit, London, 1986, 44, 45, 46, 59 (colour illus.). plate no. 5

National Gallery of Australia, The Edwardians: secrets and desires, 'Society and exhibition portraits', Canberra, 2004, (illus.). Illustrates one of the works in the thematic room in Gallery 1: Society and exhibition portraits.

New South Wales Society of Artists, Society of Artists Annual Exhibition (1946), Sydney, 1946. 182

Barry Pearce and Haruo Arikawa, Two hundred years of Australian painting: nature, people and art in the southern continent, Tokyo, 1992, 110 (colour illus.). 59

Royal Academy of Arts, Royal Academy of Arts commemorative exhibition of works by late members: winter exhibition, fifty-second year 1933., London, 1933. 249

Royal Academy of Arts, The Royal Academy of Arts, 1904, London, 1904. 531

Jill Sykes (Editor), Look, Sydney, Mar 2005, 4 (colour illus.). Colour advertisement for 'The world of Thea Proctor' exhibition, NGA, Canberra, 8 April - 19 June 2005.

Martin Terry, Masterpieces of Australian Painting, Sydney, 1984, 79 (colour illus.).

Helen Topliss, Modernism and Feminism Australian Women Artists 1900-1940, Sydney, 1996, 154 (colour illus.), 155. Illustration 86

Richard Travers, To paint a war: The lives of the Australian artists who painted the Great War, 1914-1918, Port Melbourne, 2017, 48 (colour illus.).

Walker Art Gallery, Liverpool autumn exhibition of modern pictures, in oil and water colours, Liverpool, 1904. 1211

Editor Unknown (Editor), Society of Artists book 1946-47, Sydney, 1946-1947, 33 (colour illus.).

Author Unknown, The Art Gallery of New South Wales Picture Book, Sydney, 1972, 89 (colour illus.).

Editor Unknown (Editor), Art and Australia (Vol. 28, No. 2), Sydney, Winter 1990, 215 (colour illus.), 216.