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Title

Pair of vases

circa 1680-1700

Artist

Alternate image of Pair of vases by Jingdezhen ware
Alternate image of Pair of vases by Jingdezhen ware
  • Details

    Place where the work was made
    Jingdezhen Jiangxi Province China
    Period
    Kangxi 1662 - 1722 Qing dynasty 1644 - 1911 → China
    Date
    circa 1680-1700
    Media category
    Ceramic
    Materials used
    porcelain with 'famille verte' decoration
    Dimensions

    a - vase with bird, 27.5 x 10.5 cm

    b - vase with plants, 28.5 x 10.5 cm

    Credit
    Purchased 1965
    Location
    Not on display
    Accession number
    EC2.1965.a-b
    Copyright

    Reproduction requests

    Artist information
    Jingdezhen ware

    Works in the collection

    119

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  • About

    Main theme: in each case a bird perching on a bough of flowering prunus with bamboo and rock. The integral porcelain bases or stands [are] painted in formal style to simulate wood.

    The marked difference of style in which the decorative subject is executed by two separate artists should be noted. Two technical features are the iridescent halo on the glaze surrounding the blue over-glaze enamel and the tendency for the latter to flake; both are often considered to be characteristic of late 17th century porcelain decorated in 'famille verte' style.

    Hepburn Myrtle, 'Chinese Porcelain of the Ming and Ch'ing Dynasties', Art Gallery of New South Wales, Sydney, 1977. pp27-8

    The most celebrated product of the great reigns of the early Qing dynasty emperors was porcelain: vast amounts were produced in the imperial kilns at Jingdezhen. Porcelains such as these were distinguished by their infinite variety and supreme technical dexterity. The term 'famille verte', coined by the nineteenth-century French collector Jules Jacquemart, acknowledges the impact of shades of green in the painted enamel decoration. Such wares - developed from the 'wucai' or 'five-colour' painted enamel porcelain of the previous Ming dynasty - rapidly became popular in the early Qing, particularly during the reign of the Kangxi emperor. Not only were they produced for the Manchu imperial court in Beijing; their ready appeal and highly coloured exotic decoration made 'famille verte' porcelains popular in the courts of European nobility. These vases - decorated with patterns of a singing bird perched on a prunus tree, surrounded by fantastic rock formations are very much in the Chinese style. The bases are painted in manganese and black to simulate wood.

    Art Gallery Handbook, 1999. pg. 257.

  • Places

    Where the work was made

    Jingdezhen

  • Exhibition history

    Shown in 2 exhibitions

  • Bibliography

    Referenced in 7 publications

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