- Other Title
- Swinging monkey 1
- Place where the work was made
- Media category
- Materials used
- three-colour screenprint on white wove paper
- 76.2 x 56.1 cm image; 95.4 x 68.0 cm sheet
- Signature & date
Signed l.r. corner, pen and black ink "Brett Whiteley". Not dated.
- Purchased 1965
- Not on display
- Accession number
- © Wendy Whiteley/Copyright Agency
- Artist information
Works in the collection
Brett Whiteley was born in Sydney and attended drawing classes sporadically at East Sydney Technical College and the Julian Ashton Art School before winning the Italian Government Travelling Art Scholarship in 1959. He travelled throughout Italy in 1960, visited London and Paris and settled in London that November. He was awarded a Harkness Scholarship in 1967 which took him to New York for two years. He travelled and exhibited in England, Europe and America before returning to Australia permanently at the end of 1969.
'Swinging monkey 1' is the first of six colour screenprints plus title page in a portfolio of prints made by Whiteley while in London in 1965, and one of seven by him printed at the Kelpra Studio that year. The development of photo-stencils by Christopher Prater enabled the combination of collage and screenprinting. The set was exhibited at Marlborough Gallery in October that year. The related drawing 'Swinging monkey' c.1964-65 (charcoal, ink, collage) is in a private collection in Sydney (Barry Pearce, 'Brett Whiteley, art and life', AGNSW, 1995, fig.no. 9).
The Kelpra Studio was founded in London in 1958 by Christopher Prater for the production of commercial screenprints and began making artists' screenprints in 1961.
"The first time I came into printmaking, apart from a couple of serigraph experiments for Ganymed Press for my first one-man show of abstractions in 1961, was the Regents Park Zoo series in 1961 that I made with Prater at the Kelpra Studios, London. This was the first time I really took printmaking & especially silk screen really seriously. It was more than just a way of breeding gouaches, it was the first time I conceived in series, where each print would confirm or contradict the image before it, and also it offered the challenge of seeing just what was possible using screen with photography & colour. The very flatness of screenprinting suited me perfectly, as the shallow picture-plane that I used in oil painting, which had been greatly influenced by Piero and 15th century Italian painting, was exactly the same approach to building up a vision in both cases, skin over skin, using only line to injure or excite the stillness of colour. The last screen to be used each time in this series was always aimed at a thin nervous black line that would bring a third space or irony to the subject" (Brett Whiteley, 'A few words about printmaking' in Robert Mandy, 'Brett Whiteley, the complete graphics 1961-1992', Melbourne: Deutscher Fine Art, 1995, pg. 4).
A retrospective of Whiteley's work was organized by the Gallery in 1995; it also administers the Brett Whiteley Studio in Sydney as a public museum on behalf of the State Government of NSW.
Hendrik Kolenberg and Anne Ryan, 'Australian prints from the Gallery's collection', AGNSW, 1998
Where the work was made
Shown in 9 exhibitions
Purchases and Acquisitions for 1966, Art Gallery of New South Wales, Sydney, 27 Apr 1967–07 May 1967
Animals on paper: from the Australian collection of prints, drawings and watercolours, Art Gallery of New South Wales, Sydney, 05 Sep 1992–05 Oct 1992
Animals on paper: from the Australian collection of prints, drawings and watercolours, Dubbo Regional Art Gallery, Dubbo, 18 Dec 1992–24 Jan 1993
Animals on paper: from the Australian collection of prints, drawings and watercolours, Lake Macquarie City Art Gallery, Booragul, 01 May 1993–30 May 1993
Animals on paper: from the Australian collection of prints, drawings and watercolours, Grafton Regional Gallery, , 11 Jun 1993–01 Aug 1993
Brett Whiteley - Aspects & Insights (1996-1997), Gold Coast City Art Gallery, Surfers Paradise, 07 Jul 1996–13 Aug 1996
Brett Whiteley - Aspects & Insights (1996-1997), Perc Tucker Regional Gallery, Townsville, 23 Aug 1996–29 Sep 1996
Brett Whiteley - Aspects & Insights (1996-1997), Cairns Art Gallery, Cairns, 05 Oct 1996–10 Nov 1996
Brett Whiteley - Aspects & Insights (1996-1997), The Brett Whiteley Studio, Surry Hills, 23 Nov 1996–19 Jan 1997
Brett Whiteley - Aspects & Insights (1996-1997), Orange Regional Gallery, Orange, 31 Jan 1997–16 Mar 1997
Australian prints from the Gallery's collection (1998-1999), Art Gallery of New South Wales, Sydney, 06 Nov 1998–07 Feb 1999
Brett Whiteley graphics 1961 -1992 (2000-2001), The Brett Whiteley Studio, Surry Hills, 09 Sep 2000–21 Jan 2001
The London years 1960-67 (2012), The Brett Whiteley Studio, Surry Hills, 14 Jul 2012–13 Feb 2013
Brett Whiteley: sculptures and ceramics, The Brett Whiteley Studio, Surry Hills, 05 Jun 2015–06 Dec 2015
Brett Whiteley: Other Places (somewhere else), The Brett Whiteley Studio, Surry Hills, 11 Dec 2015–08 May 2016
Brett Whiteley: drawing is everything, Art Gallery of New South Wales, Sydney, 15 Dec 2018–31 Mar 2019
Referenced in 7 publications
Chris Deutscher, Brett Whiteley: the graphics 1961-1992, Melbourne, 1995, 16 (colour illus.), 110. cat.no. 5
Hendrik Kolenberg, Brett Whiteley graphics 1961 - 1992, 'Whiteley's prints', pg.2-4, Sydney, 2000, 8.
Hendrik Kolenberg and Anne Ryan, Australian prints from the Gallery's collection, Sydney, 1998, 90 (illus.). cat.no. 90
Hendrik Kolenberg, Animals on paper - from the Australian collection of prints, drawings and watercolours, Sydney, 1992. cat.no. 91
Robert Mandy (Assistant Curator), Brett Whiteley graphics, Perth, 1986, 11 (colour illus.). cat.no. 5
Jill Sykes (Editor), Look, 'Lifting the veil', pg. 16, Sydney, Jul 2003, 16 (colour illus.).
Editor Unknown (Editor), Brett Whiteley - Aspects & Insights, Sydney, 1996.
Other works by Brett Whiteley
See all 85 works