- Other Title
- Etching no. 31
- Media category
- Materials used
- etching, printed in black ink on white wove paper
- 30.1 x 25.0 cm platemark; 47.4 x 39.5 cm sheet
- Signature & date
Signed l.r., pencil "Arthur Boyd". Not dated.
- Purchased 1963
- Not on display
- Accession number
- © Reproduced with permission of Bundanon Trust
- Artist information
Works in the collection
Boyd's initial lessons in etching were with celebrated printmaker Jessie Trail at her Melbourne studio in the 1930s. However, it was not until his move to London in 1959 that he became absorbed with the expressive possibilities of printmaking, recognising this medium as indivisible from his work as a whole:
"I think it's a very good idea to be able to turn to a number of different techniques ... A new medium offers the artist a variety of keys; it allows him to re-state and sum-up without repeating himself."
- Arthur Boyd 1972
His first dry-point prints, including 'The birth of the Southern Cross' 1962-63, were made using a Stanley knife, scoring soft copper plates to create deep, richly-textured, etched lines, often overlaid with subtle areas of aquatint. Themes and images which were the mainstream of his paintings between 1941 and 1944 are reworked in etchings and lithographs made during 1962-63 and 1968-69.
These led to the publication of print sets where Boyd collaborated with historian T.S.R. Boase and poet Peter Porter over the ensuing two decades, exploring subjects which included 'St Francis of Assisi' 1964-65, 'Lysistrata' 1970, and 'Jonah' 1972-73, confirming his continuing passion for the ideas and literature of Europe.
Australian Art Department, AGNSW, 2000
Shown in 5 exhibitions
Arthur Boyd: recent paintings and etchings (1963), Clune Galleries, Sydney, 12 Jun 1963–28 Jun 1963
Arthur Boyd: Recent paintings and etchings (1963), Clune Galleries, Sydney, 12 Jun 1963–28 Jun 1963
Arthur Boyd retrospective (1993-1994):
- Art Gallery of New South Wales, Sydney 15 Dec 1993–06 Mar 1994
- National Gallery of Victoria [St Kilda Road], Melbourne 30 Mar 1994–23 May 1994
- Tasmanian Museum and Art Gallery, Hobart 09 Jun 1994–21 Aug 1994
- Art Gallery of Western Australia, Perth 22 Sep 1994–20 Nov 1994
Australian prints from the Gallery's collection (1998-1999), Art Gallery of New South Wales, Sydney, 06 Nov 1998–07 Feb 1999
Australian icons: twenty artists from the collection, Art Gallery of New South Wales, Sydney, 04 Aug 2000–03 Dec 2000
Referenced in 9 publications
Art Gallery of New South Wales, 1963 Acquisitions, Sydney, 1963, 36-7. cat.no. 54
Clune Galleries, Arthur Boyd: Recent paintings and etchings, Sydney, 1963. cat.no. 31; titled 'Etching'
Mervyn Horton (Editor), Art and Australia [series 5, vol. 1, no. 4], Sydney, Feb 1964-Apr 1964, 234 (illus.).
Hendrik Kolenberg and Anne Ryan, Australian prints from the Gallery's collection, Sydney, 1998, 102 (illus.), 103. cat.no. 86
Imre von Maltzahn., Arthur Boyd etchings and lithographs, 'Introduction', London, 1971, (illus.). cat.no. 32; no edition number; not paginated
Barry Pearce, Look, 'The legacy in Sydney Arthur Boyd', pg. 18-20, Melbourne, Jul 1999, 20.
Barry Pearce, Australian painters of the twentieth century, 'Arthur Boyd', pg. 148-159, Sydney, 2000, 152 (illus.), 153.
Barry Pearce, Arthur Boyd retrospective, Sydney, 1993, 8 (illus.). cat.no. 168
Franz Philipp, Arthur Boyd, London, 1967, 113 (illus.), 266. cat.no. 11.32; plate no. 116; not paginated
Other works by Arthur Boyd
See more works