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Title

Catalogue to the exhibition WOOM

1971

Artists

Vivienne Binns

Australia

06 Nov 1940 -

Roger Foley-Fogg

24 Jan 1942 -

Alternate image of Catalogue to the exhibition WOOM by Vivienne Binns, Roger Foley-Fogg
Alternate image of Catalogue to the exhibition WOOM by Vivienne Binns, Roger Foley-Fogg
Alternate image of Catalogue to the exhibition WOOM by Vivienne Binns, Roger Foley-Fogg
Alternate image of Catalogue to the exhibition WOOM by Vivienne Binns, Roger Foley-Fogg
Alternate image of Catalogue to the exhibition WOOM by Vivienne Binns, Roger Foley-Fogg
Alternate image of Catalogue to the exhibition WOOM by Vivienne Binns, Roger Foley-Fogg
Alternate image of Catalogue to the exhibition WOOM by Vivienne Binns, Roger Foley-Fogg
Alternate image of Catalogue to the exhibition WOOM by Vivienne Binns, Roger Foley-Fogg
Alternate image of Catalogue to the exhibition WOOM by Vivienne Binns, Roger Foley-Fogg
Alternate image of Catalogue to the exhibition WOOM by Vivienne Binns, Roger Foley-Fogg
Alternate image of Catalogue to the exhibition WOOM by Vivienne Binns, Roger Foley-Fogg
  • Details

    Date
    1971
    Media category
    Book
    Materials used
    paper and mesh
    Dimensions
    30.5 x 21.5 cm leaf; 30.5 x 43.0 cm book open :

    30.5 x 21.5 cm

    30.5 x 21.5 cm

    30.5 x 21.5 cm

    30.5 x 43 cm

    30.5 x 21.5 cm

    30.5 x 21.5 cm

    30.5 x 21.5 cm

    Signature & date

    Not signed. Not dated.

    Credit
    National Art Archive. Gift of Alexandra and Geoffrey Legge 2006
    Location
    Not on display
    Accession number
    ARC227.29.2
    Copyright
    © Vivienne Binns. Licensed by Copyright Agency © Roger Foley-Fogg

    Reproduction requests

    Artist information
    Vivienne Binns

    Works in the collection

    7

    Artist information
    Roger Foley-Fogg

    Works in the collection

    3

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  • About

    WOOM was a multi-sensory and participatory environmental happening created by Vivienne Binns, Roger Foley-Fogg (aka Ellis D. Fogg) and others at the Watters Gallery in Sydney in 1971, with financial assistance from the Australia Council. As its title suggested, it played on notions about the inter-uterine experience. To a sound-track of an amplified drum mimicking a heartbeat and digestive gurgles, visitors removed their shoes and crawled through a foam-lined tunnel into a room of flashing lights behind Perspex, which they could alter themselves if the wished. A final room was painted and lit with strobe lighting. Donald Brook reviewing the show thought it ‘an aesthetically deteriorated game suitable for romping children’. Whereas James Gleeson wrote that the artists had created ‘a work of considerable imaginative power. To traverse its dim and twisting passages and to pause in its mysterious and many-splendoured caves is to become aware of flights and echoes. It is the womb, the beginning of time, of sensation, of experience, of being.’

Other works by Vivienne Binns

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Other works by Roger Foley-Fogg

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