We acknowledge the Gadigal of the Eora Nation, the traditional custodians of the Country on which the Art Gallery of NSW stands.


The back gate



Roy Davies


1897 – 1979

No image
  • Details

    Media category
    Materials used
    wood engraving, printed in black ink on ivory wove paper
    12.1 x 16.1 cm blockmark; 17.4 x 20.4 cm sheet
    Signature & date

    Signed, dated in block to print l.r. corner "RD/ 24".
    Signed and dated l.r., pencil "Roy Davies/ 24."

    Gift of Karna Livingstone 1976
    Not on display
    Accession number
    Artist information
    Roy Davies

    Works in the collection


  • About

    L Roy Davies was apprenticed to a Sydney firm of poster-makers, Hollander and Govett, in 1913, where he learnt the use of lino blocks for the production of advertising posters and other commercial work, and developed an interest in making prints of
    his own. After finishing art studies at the Julian Ashton School, he embarked on a six month walking tour of Victoria, where he
    made sketches of rural scenes that were later to become the subject of many of his wood engravings. The first of these he
    made in 1921, after being introduced to Lionel Lindsay, who was also making some of his first wood engravings at the time, and
    produced more than sixty over the next decade.

    “The back gate” is a refined version of Davies’ earliest attempts at the medium, which included studies of trees and rustic bush huts, and was illustrated in the English art journal the Studio in a special edition on ‘The new woodcut’ in 1930, a considerable
    achievement for an Australian artist at the time – the only other local artist included was Lindsay.

    from Anne Ryan, 'Australian etchings and engravings 1880s–1930s from the Gallery's collection', AGNSW, Sydney 2007

  • Exhibition history

    Shown in 1 exhibition

  • Bibliography

    Referenced in 2 publications

Other works by Roy Davies