Chinzan, a samurai, took up painting to augment his income, studying under Tani Bunchô. He concentrated in bird and flower painting ('kachoga'), absorbing elements of Chinese 18th century bird and flower painting then popular among some Japanese artists. This painting is handled with the delicate and sensitive touch so typical of Chinzan, who has used the 'boneless' technique in which the colour creates its own outlines and is not confined by black ink contours.
The Asian Collections, AGNSW, 2003, pg.243.
Place where the work was made
hanging scroll; ink and colour on paper
142.0 x 46.0 cm image; 205.5 x 63.7 x 77.8 cm scroll
Signature & date
Not signed. Not dated.
Not on display
Where the work was made
Referenced in 1 publication
Jackie Menzies (Editor), The Asian Collections Art Gallery of New South Wales, 'Edo Painting Schools', Sydney, 2003, 243 (colour illus.).