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Title

Bundle of Ntaria branches 8

2015

Artist

Yasmin Smith

Australia

1984 –

Alternate image of Bundle of Ntaria branches 8 by Yasmin Smith
Alternate image of Bundle of Ntaria branches 8 by Yasmin Smith
Alternate image of Bundle of Ntaria branches 8 by Yasmin Smith
Alternate image of Bundle of Ntaria branches 8 by Yasmin Smith
Alternate image of Bundle of Ntaria branches 8 by Yasmin Smith
Alternate image of Bundle of Ntaria branches 8 by Yasmin Smith
  • Details

    Date
    2015
    Media category
    Ceramic
    Materials used
    mid-fire slip with Hermannsburg wood ash glaze (River Red Gum, Mulga, Palm Tree), black copper oxide wash, electrical wire
    Dimensions
    17.5 x 110.00 x 26.0 cm (irreg.)
    Credit
    Vicki Grima Ceramics Fund 2020
    Location
    Not on display
    Accession number
    95.2020
    Copyright
    © Yasmin Smith

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    Artist information
    Yasmin Smith

    Works in the collection

    2

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  • About

    Yasmin Smith’s site-specific, socially engaged, conceptual ceramics practice is centred around natural materials. It often starts by looking at the broader landscape as social and geographical construct and then placing the work at the meeting of culture and nature. Often, she extracts, though both simple and complicated means, raw clay from the ground which she uses to shape natural and found forms – branches, discarded metal – using casts made from the objects themselves, and at 1-to-1 scale. Works are then fired and glazed using similar natural material such as salt or wood-ash. From this the landscape becomes the work and the artist surrenders to the chance and alchemy of the kiln.

    'Bundle of Ntaria branches' are works that were generated as part of a larger installation 'Ntaria fence' (2015). Ntaria is the Aboriginal name of the community of Hermannsburg where in 2014 the artist lived and worked. "I was living in a house in Ntaria that was surrounded by a fence that had all of these branches stuck to it…Formally, I saw that fence in the landscape and I wanted to appreciate the object for what it was. And I started thinking about how I could use the materials themselves, rather than just try and reproduce it."

    In these works, which Smith has described as being central to her ongoing broader project around materials and place, the branches were cast from the branches on the fence and the ash glaze was made using ash sourced from Ntaria cooking fires. Thus, the objects now are not just about the landscape, but also part of it.

  • Exhibition history

    Shown in 1 exhibition

Other works by Yasmin Smith