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Title

Untitled

1980

Artist

Christine Godden

Australia

1947 -

  • Details

    Other Title
    Don Gazzard's house
    Date
    1980
    Media category
    Photograph
    Materials used
    type C photograph
    Dimensions
    28.0 x 37.2 cm image; 38.8 x 50.6 cm sheet
    Signature & date

    Signed and dated l.r. original mount, ink "Christine Godden 1980".

    Credit
    Purchased 1981
    Location
    Not on display
    Accession number
    95.1981
    Copyright
    © Christine Godden

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    Artist information
    Christine Godden

    Works in the collection

    9

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  • About

    This subtle image of dusk falling over the inner-city infuses time and place with a moody sense of reverie. The urban streets are mellowed by impressionistic light effects which soften hard outlines and evoke the day’s passage into night. The highly personal and sensual depiction of landscape is in keeping with Christine Godden’s intimate photographic style. Godden spent much of her youth travelling throughout Asia and Europe before arriving in the United States in 1971. She completed a Bachelor of Fine Arts at the San Francisco Art Institute in 1974 and a Master of Fine Arts degree at the Visual Studies Workshop in New York (State University of New York, Rochester) in 1978. She returned to Australia the same year to become the director of the Australian Centre for Photography, Sydney, a position she held until 1982.

    Godden’s series of sunsets were taken in Sydney, often showing the same scene at different times of the day. Courtesy of her sophisticated education with the Visual Studies workshop, Godden toys with established photographic conventions. The views were taken with a small pocket camera on colour film. The small format negatives were then enlarged to well beyond their intended capacity, magnifying grain, blur and defects in the photograph. As such, Godden was consciously rejecting the demands of technical black and white print perfection in high-art photography. Working instead with a deliberately amateur style and subject matter, she privileges the idea of a personal, subjective vision over the mechanical recording of a moment.

    © Art Gallery of New South Wales Photography Collection Handbook, 2007

  • Exhibition history

    Shown in 4 exhibitions

  • Bibliography

    Referenced in 5 publications

Other works by Christine Godden

See more works