We acknowledge the Gadigal of the Eora Nation, the traditional custodians of the Country on which the Art Gallery of NSW stands.

Title

Lake King William a Derwent River hydro electric development, Tasmania

1982

Artist

David Stephenson

United States of America, Australia

1955 -

  • Details

    Other Title
    Lake King William (formerly Derwent River), Tasmania
    Date
    1982
    Media category
    Photograph
    Materials used
    3 gelatin silver photographs
    Dimensions
    53.0 x 154.5 cm frame
    Signature & date

    Signed and dated u.l. verso frame, black fibre-tipped pen "...1982 David M Stephenson".

    Credit
    Purchased 1985
    Location
    Not on display
    Accession number
    93.1985
    Copyright
    © David Stephenson

    Reproduction requests

    Artist information
    David Stephenson

    Works in the collection

    28

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  • About

    As a promising young photographer in the US who had won the prestigious National Endowment for the Arts award, in 1980, and was already represented in major collections like the San Francisco Museum of Modern Art, David Stephenson’s relocation from USA to Tasmania in 1982 might appear unusual. Yet, as Daniel Palmer has noted, Stephenson was ‘always drawn to the fringes of the human world’1 where he could fully explore the central theme that has always governed his practice, namely ‘the relationship between humans and the environment’2.

    Stephenson’s affinity with the American New Topographic movement in the 1970s precipitated his fascination with the tradition of landscape photography. Pursuing new ways to represent the land outside the aesthetic strictures of the documentary approach, Stephenson’s work is, according to Palmer, ‘imbued with romantic sensibility’ 3 and confronts philosophical concepts such as the infinite and the unknown with a minimalist sensibility and poetic acuity. Discussing his landscape photographs, Stephenson alludes to the way they ‘refer to the history of landscape imagery, because to recall this history is to recall the history of human landscape consciousness.’ 4

    1. Daniel Palmer, ‘David Stephenson’ in Blair French & Daniel Palmer (eds), ‘Twelve Australian photo artists’, Piper Press, Sydney 2009 p169
    2. David Stephenson, ‘Artist’s statement’ in Helen Ennis (ed), ‘Australian photography in the 1980s’, Australian National Gallery, Canberra 1988 p 88
    3. Palmer op.cit.
    4.Susan van Wyk,' Sublime space: photographs by David Stephenson 1989-98', NGV Melbourne p 2

  • Exhibition history

    Shown in 2 exhibitions

  • Bibliography

    Referenced in 1 publication

Other works by David Stephenson

See more works