Collection
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Title
Smile: Coke adds li e, 1981, from the portfolio The Sydney Morning, volume I: word works & ideagraphics 1967-1988
1989
Artist
Richard Tipping
Australia
1949 -
About
By word works I mean visual/verbal or image/language/sign interactions which play between levels of message, medium and meaning; between text and context; between title and content; combining or manipulating or deleting elements to create a floating springboard to regions more lateral. These screenprints are not 'copies' of visual poems or word sculptures existing somewhere else: they are, each, originals.
Richard Tipping, 1989
Details
Date
1989
Materials used
screenprint on white wove paper
Edition
37/60
Dimensions
28.4 x 22.0 cm sheet
Signature & date
Signed and dated l.r. corner, pencil "Tipping 89".
Credit
Gift of Richard Tipping 2017. Donated through the Australian Government's Cultural Gifts Program
Location
Not on display
Accession number
92.2017.9
Shown in 3 exhibitions
Exhibition history
Richard Tiipping: hear the art, Eagle Gallery, London, 06 Feb 1997–02 Mar 1997
Richard Tipping: versions, perversions, subversions & verse, UBU Gallery, New York, 12 Dec 1998–16 Jan 1999
Avoiding myth & message: Australian artists and the literary world, Museum of Contemporary Art, Australia, 07 Apr 2009–12 Jul 2009
Referenced in 3 publications
Bibliography
Glenn Barkley, Avoiding myth & message: Australian artists and the literary world, Sydney, 44-45 (colour illus.), 62-63. Catalogue entry
Stephen Coppel, Richard Tipping: hear the art, Essay, Greater London, 1997.
Alex Selenitsch., Overland, Review "Sing sign", Melbourne, 1993, 88-89.