We acknowledge the Gadigal of the Eora Nation, the traditional custodians of the Country on which the Art Gallery of NSW stands.

Title

Ant Hills

2012

Artist

Vanessa Splinter

Australia

14 Jul 1983 –

Language group: Gurindji, Fitzmaurice region

  • Details

    Place where the work was made
    Alice Springs Northern Territory Australia
    Cultural origin
    Western Arrernte
    Date
    2012
    Media category
    Print
    Materials used
    etching, printed in blue ink on paper
    Edition
    2/15
    Dimensions
    30.0 x 40.0 cm sheet
    Signature & date

    Signed bot.c., pencil "Vanessa Splinter". Dated l.r., pencil "2012".

    Credit
    Purchased with funds provided by the Aboriginal Art Collection Benefactors 2013
    Location
    South Building, ground level, 20th-century galleries
    Accession number
    89.2013
    Copyright
    © Vanessa Splinter, courtesy Yarrenytyn Arltere Artists

    Reproduction requests

    Artist information
    Vanessa Splinter

    Works in the collection

    1

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  • About

    Vanessa Splinter is among a small group of artists working with printmaking through Yarrenyty Arltere Artists in Larrapinta Valley town camp on the outskirts of Mparntwe (Alice Springs). She only began working with the centre in 2011, but is already becoming recognised for her distinct prints that explore various aspects of the Central Desert landscape. Splinter often works alongside her mother, Marlene Rubintja, a recognised artist in her own right. This intergenerational approach is central to Yarrenyty Arltere Artists’ success and allows families to work together exchanging stories and history as they work, ensuring cultural information is passed on to younger generations.

    Splinter is a young artist with strong connections to the Western Arrernte community around Mparntwe and Gurindji country, further north. In 'Ant Hills' 2012 Splinter has reduced the landscape to a singular element. Ambiguously rendered in a field of brilliant blue the form has an ethereal resonance. Splinter's distinct use of blue is somewhat unexpected in a work relating to the Central Desert, allowing the mundane form of the ant hill to transcend its simplicity.

  • Places

    Where the work was made

    Alice Springs

  • Exhibition history

    Shown in 2 exhibitions