Skip to content

Update from the Gallery regarding COVID-19

The Art Gallery of New South Wales is open. We are observing strict physical distancing and hygiene measures to protect the health of visitors and staff and minimise the spread of COVID-19 (coronavirus). Read the latest visit information




Western art

View More:


The fight: St George kills the dragon VI



Sir Edward Coley Burne-Jones


28 Aug 1833 - 17 Jun 1898


More commonly an excuse for high drama and dynamic design, the legend of St George inspired in Edward Burne-Jones a typically lyrical response. This image presents the viewer with something akin to a dream. The knight is hardy enough, dispatching his beastly (but undernourished) enemy with assurance; yet this St George is a creature of the mind. The blurry 'sfumato' of the forms - Burne-Jones had yet to perfect his brittle manner - and the elegance of the poses encourage reverie, not alarm. Burne-Jones was the least ideological of the Pre-Raphaelites, yet the most enduring, always keeping faith with a moonlit world of bloodless damsels and epicene saints. Henry James called the Burne-Jones type 'pale, sickly and wan'. No progressive, the English artist loathed the impressionists, preferring their symbolist contemporaries, whom he admired and greatly influenced.

AGNSW Handbook, 1999.


Other Title

The fight: St George killing the dragon VI



Media category


Materials used

oil on canvas


105.4 x 130.8 cm stretcher; 166.0 x 175.6 x 19.0 cm frame

Signature & date

Signed and dated l.l., black oil "EB-J / 1864".


Gift of Arthur Moon KC in memory of his mother, Emma, born in Sydney in 1860, the daughter of John de Villers Lamb 1950

Accession number


Artist information

Sir Edward Coley Burne-Jones

Works in the collection


Shown in 13 exhibitions

Exhibition history


Myles Birket Foster, 1864-1894, Surrey/England, Series commissioned in 1864 for the dining-room of Foster's house at 'The Hill' at Witley, Surrey. Series sold at Birket Foster's sale 1894 for 2,100 gns.

C. Sidney Goldmann, 1898, England, In the collection of C. Sidney Goldmann by 1898, with some others of the series.

Christie's London, 26 Apr 1902, London/England, Purchased by Agnew's for Sir Ernest Moon

Sir Ernest Moon, 26 Apr 1902-1930, Oxfordshire/England, Braziers park, Ipsden, Oxfordshire

Arthur Moon, KC, 1930-1950, England, Gift of Arthur Moon 1950

Referenced in 21 publications


Art Gallery of New South Wales, Art Gallery of New South Wales picturebook, Sydney, 1972, col illus p 27.

Russell Ash, Sir Edward Burne-Jones, London, 1993, col illus back page.

M. Bell, Burne-Jones, 1898, p 36.

Lady Georgiana Burne-Jones, Catalogue of Drawings, 'Memorials of E B-J', Birmingham, 1939, pp 296-7.

John Christian, Art Quarterly, 'Early German Sources for Pre-Raphaelite Designs', 1973, p 78. fig no 29, fig no 30

Patricia Crawford, History and legend in some selected paintings at the Art Gallery of New South Wales, Sydney, 1980, illus p 14.

F. de Lisle, Burne-Jones, 1904, pp 75-77.

Renée Free, Art Gallery of New South Wales handbook, 'European', pp 36-56, Sydney, 1988, p 44.

Renée Free, Art Gallery of New South Wales catalogue of British paintings, Sydney, 1987, illus p 26, p 27.

Matthias Frehner, Edward Burne-Jones: The earthly paradise, 'St George and the dragon 1865-67', pp 51-65, Stuttgart, 2009, p 61, col illus p 62. fig.20, illustrated in reference to cat no 34

Galleria Nazionale d'Arte Moderna, (Burne-Jones), Rome, 1986. cat no 15

Martin Harrison and Bill Waters, Burne-Jones, New York, 1973, p 89.

Marcus B. Huish, The Art Annual, London, 1890, p 26.

Carol Jacobi and Lucina Ward (Editors), Love & desire. Pre-Raphaelite masterpieces from the Tate, Canberra, 2018, pp 40, 151, no 56, p 213, no 39, col illus p 150.

Bruce James, Art Gallery of New South Wales handbook, 'Western Collection: Paintings and Sculpture', pp 17-77, Sydney, 1999, col illus p 38.

Anne Kirker and Peter Tomory, British painting 1800–1990 in Australian and New Zealand public collections, Sydney, 1997, illus p 60. 305

McLean's Gallery, (MacLean's Gallery Exhibition), London, 1895. contains verse by William Morris for each of the series

Peter Raissis, Prints & drawings Europe 1500-1900, Sydney, 2014, col illus p 149.

Jan Reynolds, Birket Foster, London, 1984, pp 97-99, p 176. Appendix no 8 including a photograph of the dining room at 'The Hill' with the painting in situ in another frame.

Angus Trumble (Curator), Love and Death: art in the age of Queen Victoria, Adelaide, 2001-2002, p 158, col illus p 159.

Art Gallery of New South Wales Quarterly, vol 4, no 1, Sydney, Oct 1962.