Lawrence Smith describes Fukazawa's style as 'rather abbreviated and lonely' ('Modern Japanese Prints 1912-1989', pg.22). This print, in a minimalist technique with an effect resembling the Chinese 'cut-paper', is a perfect example of this sentiment, one that is distinctly urban.
Fukazawa worked in a variety of printing techniques, as seen in 'Road towards the hill' (AGNSW Acc.no. 84.2000) and other colour landscape prints (such as 'Back of Mt Fuji' in the gallery's collection Acc.no. 8.1997.3). Perhaps this technical diversity prevented him from being identified with one distinct style, and this has resulted in his relatively small recognition.
Asian Art Dept., AGNSW, April 2000.
Place where the work was made
Shôwa period 1926 - 1988 → Japan
26.3 x 19.2 cm image; 32.3 x 24.0 cm mount
Signature & date
Signed l.r.corner, in Japanese, pencil "Saku". Dated u.l. margin, in Japanese, pencil "1927-8".
Yasuko Myer Bequest Fund 2000
Not on display
Where the work was made
Shown in 1 exhibition
Hanga: Japanese creative prints, Art Gallery of New South Wales, Sydney, 28 Oct 2000–07 Jan 2001
Referenced in 2 publications
AJIOKA, Hanga: Japanese creative prints, '1919-1930s: The Japan creative print association and diffusion of printmaking', pg. 58-69, Sydney, 2000, 60 (colour illus.), 99, 108. cat.no. 3.2
Jackie Menzies (Editor), The Asian Collections Art Gallery of New South Wales, 'Individuality in early 20th century works on paper', Sydney, 2003, 282 (colour illus.).