Early Buddhist images from Burma have distinctive stylistic qualities that distinguish them from their South-east Asian counterparts. In Burmese Buddhism, which followed the Theravada path, the dominant figure is Akshobhya, represented here. In this characteristic pose the Buddha is seated with feet upturned, bearing wheel marks on his soles. A button-like protuberance on his forehead resembles the 'urna'. The left hand rests face up on the lap in the meditation 'mudra'; the right hangs with the tips of the outstretched fingers touching the ground in the 'bhumispara mudra'. With this gesture the Buddha invokes the earth to witness his resistance of the temptations of the spirit of evil, Mara.
Figure of Buddha
Buddha on the lion throne
late 12th century
brass and copper
Signature & date
Not signed. Not dated.
Not on display
Shown in 3 exhibitions
Referenced in 9 publications
Bruce James, Art Gallery of New South Wales handbook, 'Asian Collection: South-East Asia', pg. 298-301, Sydney, 1999, 299 (colour illus.).
Jackie Menzies, Look, 'Asian Favourites', pg. 24-27, Sydney, Sep 2003, 24 (colour illus.).
Jackie Menzies, Arts of Asia, 'New Dimensions', pg. 54-63, Hong Kong, Nov 2003-Dec 2003, 60 (colour illus.). no.14
Jackie Menzies, TAASA Review, 'Art Gallery of New South Wales', Sydney, Mar 1998, 10 (colour illus.).
Vasudhārā: A study of the origin, development, and diffusion of artistic representations of the Buddhist goddess of prosperity in their cultural contexts, Aachen, 2014, 150 (colour illus.). vol.2
Look, 'The Centre for Asian Art Studies', pg. 25, Heidelberg, Sep 1998, 25 (colour illus.).
Burmese Art and its Influences, London, 1981, 17 (illus.), 18. plate no. 15
Buddha: Radiant awakening, Sydney, 2001, 26 (colur illus.), 183. cat.no. 7
The Asian Collections Art Gallery of New South Wales, Sydney, 2003, 12 (colour illus.).