Title
Full Moon Island, Sirahama, from the series New hundred views of Japan
1938-1939
Artist
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Details
- Alternative title
- Shin Nihon hyakkei: 35 Shirahama "Engetsutô"
- Place where the work was made
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Japan
- Period
- Shōwa period 1926 - 1988 → Japan
- Date
- 1938-1939
- Media category
- Materials used
- colour woodcut
- Dimensions
- 22.7 x 30.2 image; 25.5 x 32.9 cm mount
- Signature & date
Signed l.r., ink [incised on block] "T.MAEDA". Not dated.
- Credit
- Yasuko Myer Bequest Fund 1997
- Location
- Not on display
- Accession number
- 8.1997.20
- Artist information
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Maeda Tōshirō
Works in the collection
- Share
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About
This series of prints is a unique set of prints in two ways: at least thirty contemporary artists collaborated in a single series of landscape prints, depicting both famous places & scenery of modern urban life. This series is a product of the Creative Print Movement, a modern movement in printmaking which began early in the 20th century by artists who designed, blockcut & printed their own work with a clear intention of creating works of art as opposed to `surimono', reproductions. Due to the intensification of WWII, publication of the series was stopped by the Japanese authorities who feared that the interior of Japan would become known to its enemies.
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Places
Where the work was made
Japan
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Exhibition history
Shown in 2 exhibitions
Hanga: Japanese creative prints, Art Gallery of New South Wales, Sydney, 28 Oct 2000–07 Jan 2001
In one drop of water, Art Gallery of New South Wales, Sydney, 15 Jun 2019–21 Feb 2021
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Bibliography
Referenced in 1 publication
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AJIOKA, Hanga: Japanese creative prints, '1930s-1950s: Consolidation of Hanga and the individualists', pg. 70-98, Sydney, 2000, 86 (colour illus.), 101, 109-110. cat.no. 4.9vi
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