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Title

A mountain depot

circa 1920-1925

Artist

Lewis Hey Sharp

Australia

1885 - 1965

  • Details

    Date
    circa 1920-1925
    Media category
    Photograph
    Materials used
    bromoil photograph
    Dimensions
    21.6 x 29.6 cm image; 22.2 x 29.6 cm sheet
    Signature & date

    Not signed. Not dated.

    Credit
    Purchased 1978
    Location
    Not on display
    Accession number
    77.1978
    Copyright

    Reproduction requests

    Artist information
    Lewis Hey Sharp

    Works in the collection

    5

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  • About

    Lewis Hey Sharp was born in Sydney. Following study at the University of Sydney, he was appointed lecturer in mechanical engineering at the University of Adelaide. After a period in England working for Westinghouse, he returned to Australia and eventually became acting professor of electrical engineering at the University of Sydney (1927−41). With a long-time interest in the mechanical aspects of photography, exposure to photography’s expressive possibilities came when he saw examples of pictorial work during his time in England (1912−13). He became a member of the Photographic Society of New South Wales and was active among the Sydney pictorialists from 1914 to the late 1920s.

    An 1858 review of a panorama of Sydney Harbour by O W Blackwood, praised the photograph: ‘Nothing dim or smoky appears … no muddled trees – no hazy outlines.’1 Within 40 years, many of the qualities which older photographers considered the result of technical imperfections – muddled trees and hazy outlines – were being deliberately sought. The bromoil process, used here, was a favoured way of achieving a soft, slightly blurred image. Captain Cattaleno introduced the process to Australia in 1910, making the first print in the rooms of the Photographic Society in Sydney. There were many variations, but the process usually involved making a large bromide print, which would be chemically bleached until a ghost image remained. When damp this would stand in low relief and repel and absorb the printer’s ink or oil paint in its highlights and shadows.

    1. Blackwood O W 1858, ‘Views from Government House’, ‘Sydney Morning Herald’, 4 Aug

    © Art Gallery of New South Wales Photography Collection Handbook, 2007

  • Exhibition history

    Shown in 1 exhibition

  • Bibliography

    Referenced in 1 publication

Other works by Lewis Hey Sharp

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