- (circa 1918)
- Media category
- Materials used
- oil on canvas
- 61.0 x 47.0 cm stretcher; 73.1 x 59.5 x 7.0 cm frame
- Signature & date
Signed u.l. corner, black oil "B.Hall". Not dated.
- Gift of Mr F.G. White 1940
- Not on display
- Accession number
- Artist information
Works in the collection
Lindsay Bernard Hall was born at Liverpool, England, in 1859 and studied at the Royal College of Art in London and at the Antwerp and Munich Academies. He arrived in Melbourne in 1892.
Hall was appointed Director of the National Gallery of Victoria and its Art School, where he continued the Munich traditions established there by his predecessors George Follingsby and Eugen von Guérard.
His purchases for the Gallery under the terms of the Felton Bequest were both liberal and perceptive and included the masterpiece 'Boulevard Montmartre, Morning, Cloudy Weather' by Pissarro, selected from an exhibition of the artist's work held at London's Grafton Galleries in 1905.
In his own practice, Hall's preferred subjects were nudes, still lifes and interiors, of which his home provided numerous views for the artist to paint. A similar painting, which also shows the distinctive mirror hanging on the wall in 'Chez-moi', is in the collection of the University of Melbourne, titled 'Dining room interior', and dated circa 1910-19.
Hall was a member of the Victorian Artists' Society and regular exhibitor at the Society from 1893.
Bernard Hall died in England in 1935.
Referenced in 3 publications
Gwen Rankin, L. Bernard Hall: the man the art world forgot, 'The bright day that brings forth the adder: 1906-1909, pg. 129-148, Sydney, 2013, 143 (colour illus.).
Bernard William Smith, A catalogue of Australian oil paintings in the National Art Gallery of New South Wales 1875-1952, Sydney, 1953, 85. cat.no. 246
Sydney Ure Smith, Bertram Stevens and Charles Lloyd Jones (Editors), Art in Australia [vol. 1, no. 4], Sydney, 1918, colour illus.. not paginated, Titled 'Coquetry'
Other works by Bernard Hall
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