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Title

Self-portrait

1939

Artist

Tempe Manning

Australia

1896 – 1960

Alternate image of Self-portrait by Tempe Manning
Alternate image of Self-portrait by Tempe Manning
Alternate image of Self-portrait by Tempe Manning
Alternate image of Self-portrait by Tempe Manning
Alternate image of Self-portrait by Tempe Manning
Alternate image of Self-portrait by Tempe Manning
Alternate image of Self-portrait by Tempe Manning
  • Details

    Place where the work was made
    Australia
    Date
    1939
    Media category
    Painting
    Materials used
    oil on canvas
    Dimensions
    76.0 x 60.5 cm
    Signature & date

    Signed and dated l.l., "Tempe Manning. Dec. '39'".

    Credit
    Purchased with funds provided by the Art Gallery Society of New South Wales 2021
    Location
    Not on display
    Accession number
    65.2021
    Copyright
    © Estate of Tempe Manning

    Reproduction requests

    Archibald Prize
    - 1939
    Artist information
    Tempe Manning

    Works in the collection

    3

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  • About

    Tempe Manning was one of a number of artists who had a wider influence on the directions of modern Sydney art during the interwar period than has thus far been recognised. She was one of the talented artists who studied under Antonio Dattilo-Rubbo at his atelier in Sydney from the mid 1910s. Along with her more celebrated peers, including Grace Cossington Smith, Roland Wakelin, Norah Simpson and Roy De Maistre, her work contributed to the first significant phase of modernist culture in this country.

    Manning travelled to Europe and studied in Paris in 1912 prior to joining Dattilo-Rubbo's atelier on her return in 1914. While her training in Paris followed academic traditions, Manning's extant Sydney works demonstrate how she had moved away from academism to experimentation in colour painting by 1916. Manning returned to her birthplace, Bowral, by the early 1920s and remained there until her death in 1960, primarily undertaking portrait commissions while occasionally painting nearby rural landscapes. Her style evolved from the flickering paint work and small scale of her early modernist paintings, to the sophisticated modernist realism of this compelling self-portrait.

    This remarkable painting was exhibited in the 1939 Archibald Prize exhibition. The artist's strong gaze and casual yet self assured pose indicate her confidence as both subject and author of the work. The finely painted hand and face contrast with the rougher brushstrokes of the clothing and background, depicted in a saturated blue palette, pulling the viewer's focus to these most important parts of the portrait.

  • Places

    Where the work was made

    Australia

  • Exhibition history

    Shown in 2 exhibitions

    • Archibald, Wynne and Sulman (1939), Art Gallery of New South Wales, Sydney, 20 Jan 1940–20 Mar 1940

    • Archie 100, Art Gallery of New South Wales, Sydney, 05 Jun 2021–26 Sep 2021

      Archie 100, Geelong Art Gallery, Geelong, 06 Nov 2021–20 Feb 2022

      Archie 100, Cairns Art Gallery, Cairns, 18 Mar 2022–12 Jun 2022

      Archie 100, Art Gallery of South Australia, Adelaide, 09 Jul 2022–03 Oct 2022

      Archie 100, Queen Victoria Museum and Art Gallery, Launceston, Launceston, 22 Oct 2022–08 Jan 2023

      Archie 100, Bathurst Regional Art Gallery, Bathurst, 26 Jan 2023–26 Mar 2023

Other works by Tempe Manning