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Title

Egg and wave

20th century

Artist

Suzuki Osamu

Japan

1926 – 2001

  • Details

    Other Title
    Kogo (Incense box)
    Alternative title
    Nami ni tamago
    Place where the work was made
    Japan
    Period
    Shôwa period 1926 - 1988 → Japan
    Date
    20th century
    Media category
    Ceramic
    Materials used
    porcelain
    Dimensions
    7.8 x 9.4 cm :

    a - box, 3 x 8.4 cm

    b - lid, 5.7 x 9.4 cm

    Signature & date

    Signed base, in Japanese, impressed "Su [initial of Suzuki]". Not dated.
    Signed back of lid [associated NWA box], in Japanese, ink, inscribed "Osamu Suzuki Kyoto Sôdensha" [and artist's mark and seal]. Not dated.

    Credit
    Gift of Rev. Muneharu Kurozumi 1989
    Location
    Not on display
    Accession number
    62.1992.a-b
    Copyright
    © SUZUKI Osamu Estate

    Reproduction requests

    Artist information
    Suzuki Osamu

    Works in the collection

    6

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  • About

    Suzuki Osamu is an important figure in the vanguard movement of Japanese ceramics. Born in Kyoto in 1926, he graduated in ceramics from the Kyoto Municipal Technological School in 1943. Suzuki first exhibited in 1947, in the third 'Nitten' (Japan art exhibition). In 1948 he was one of the founders of the avant-garde 'Sodeisha' group, with whom he exhibited regularly.

    Suzuki entered the competition of the 'Shinshôkai' (New Craftsman's Group) in 1949, which was at the time headed by the potter Tomimoto Kenkichi, and won a prize for his piece. Suzuki participated in many exhibitions, both in Japan and overseas, and has been awarded many prizes. For some years he was a judge for the Japan Traditional Crafts exhibitions. Following the death of Kazuo Yagi in 1979, Suzuki became head of the Sodeisha group, and his work was included in the group's exhibition that toured Australia in 1979-81.

    In much of his work, Suzuki has been inspired by the neolithic clay figures called 'dôgu', as well as by the slightly later 'haniwa' figures. While the source of his inspiration is these figures, he has abstracted his shapes and is concerned with exploring and disrupting the planes and textures of the surfaces of his objects. Suzuki worked in celadon as well as with plain clay.

  • Places

    Where the work was made

    Japan

  • Exhibition history

    Shown in 1 exhibition

  • Bibliography

    Referenced in 1 publication

Other works by Suzuki Osamu

See all 6 works